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Bebop Spoken There

Simon Spillett: “ Bebop and hard bop came naturally to him [Tubby Hayes]". Morning Star, March 28, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16287 (and counting) posts since we started blogging 16 years ago. 169 of them this year alone and, so far, 41 this month (Mar 18).

From This Moment On ...

March

Fri 29: FILM: Soul @ The Forum Cinema, Hexham. 12:30pm. Jazz-themed film animation.
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 29: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 29: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 29: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free. POSTPONED!
Fri 29: Thundercat @ Newcastle City Hall.
Fri 29: John Logan @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Fri 29: True Colours @ Barrels Ale House, Berwick. 9:00pm. Blues, jazz & swing.

Sat 30: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 30: Pete Tanton’s Cuba Libre @ Whitley Bay Library, York Road, Whitley Bay. 8:00pm.

Sun 31: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 31: Ruth Lambert Trio @ Juke Shed, Union Quay, North Shields NE30 1HJ. 3:00pm. Free. Lambert, Alan Law & Paul Grainger.
Sun 31: Sid Jacobs & Tom Remon @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. USA/London jazz guitar duo.
Sun 31: Bellavana @ The Globe, Newcastle. 8:00pm.

April
Mon 01: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 01: Ray Stubbs R&B All Stars @ Billy Bootlegger’s, Ouseburn, Newcastle. 3:00pm. Free.

Tue 02: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Dean Stockdale, Paul Grainger, Abbie Finn.

Wed 03: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 03: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 03: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 04: FILM: Soul @ Forum Cinema, Hexham. 2:00pm. Jazz-themed film animation.
Thu 04: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 04: Funky Drummer @ The Globe, Newcastle. 7:30pm. Free.
Thu 04: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 04: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Sunday, September 30, 2018

Harry Greene Quartet @ Hexham Abbey Festival of Music and Arts 2018. Late Night Jazz – Sept. 29.

Harry Greene (tenor); Matt Carter (keys); Seth Tackaberry (bass); Joel Barford (Drums).
(Review by Hugh)
After last year’s inaugural Late Night Jazz session in the Great Hall featuring Nikki Iles and Stan Sulzmann, the question was, how to follow that up this year?  At the recommendation of Nikki Iles, the Harry Greene Quartet was invited.  These four fresh-faced college lads (all trained on the Jazz Course at The Royal Academy of Music) were smartly suited and booted for the occasion.  Harry Greene brought together a new quartet for what was to be their first gig – with a specially curated programme to celebrate the music and musicians of the Blue Note label - focussing on the output of the 1950s and 60s.

Dexter Gordon’s Cheesecake got the evening off to a swinging start.  The format for most of the evening was set – Harry Greene took the first solo blowing his striking gold on black lacquer horn, followed by the first of many skillful and sensitive piano solos by Matt Carter, proceeding to bass and/or drum solos, with ensemble playing in between.  The up-tempo beat was continued in Hank Mobley’s Soul Station - Seth Tackaberry’s walking bass and Joel Barford’s drumming propelled the piece with purposeful strides.  John Coltrane’s arrangement of I’m Old Fashioned calmed the room with its balladic qualities – Greene’s beautiful saxophone tone was to the fore, with sensitive brushwork from Joel Barford.  The calm was short-lived – Herbie Hancock’s Driftin’ woke us up again with dextrous fingering by Greene on saxophone.  A second (composed later) Hancock number, Maiden Voyage followed, where Joel Barford was let loose to enjoy his drum kit.  This closed the first set after almost one hour’s music.  A scheduled interval ensued, during which replenishment of reviewer’s refreshment was obtained (fit for the occasion) - Allendale Brewery’s 674 – brewed to commemorate the year of the founding of Hexham Abbey.
 The second half commenced with Tammy’s Breeze by Gene Harris, then the familiar, Groove Merchant by Harry Richardson.  During the bass solo, in his eagerness to demonstrate the stratospheric (well for bass, anyway) notes obtainable by concentrating attention to the very bottom of the fingerboard, Seth Tackaberry (and his bass) almost fell onto the music stand in front!  The groove merchants came to a-rockin'(am I allowed to use that word in this context?) climax. 

A sobering five-minute warning was issued from the back of the room.  The final piece was Moment’s Notice (John Coltrane) played at breakneck speed, with blistering performances from all quartet members.  Time for one more?  The bandleader asked.  But it was not to be – the licensing curfew was absolute.  No more music – “you’ll just have to invite us again”, quipped Green.

This was a cracking gig, full of melody with bravura performances by all four members of the quartet.  The receptive audience helped make the gig a success.  These guys have started a journey on a long and productive road.  Who says jazz is the preserve of the older generation? – the enthusiasm and already excellent musicianship of this young quartet augur well for the future of the music.  They have picked up and are already running with the baton.

Hugh C.

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