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Bebop Spoken There

Lionel Loueke: "A mistake is just for the moment - make it the best mistake it can be, and that's it" - (JazzTimes, April 2019).

Archive

Today Thursday April 25

Afternoon

Jazz

Vieux Carré Jazzmen - Holystone, Whitley Rd., Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Tees Valley Jazzmen - The Merry Monk, Market Place, Bishop Auckland DL14 7NP. 12:30pm. Free.

Evening

Jazz

Eliot Smith Dance: Triple Bill - Newbiggin Maritime Centre, Church Point, Newbiggin by the Sea NE64 6DB. Tel: 01670 811951. 7:30pm. £14.00. (£12.00. concs., £30.00. family). Performance inc Poppy (music composed by Jason Holcomb).

Julija Jaceniate Trio Black Swan, Westgate Road, Newcastle NE1 1SG. Tel: 0191 261 5618. 8:00pm. £6.00. (£5.00. concs). Jacenaite (vocals), Steve Glendinning (guitar), Paul Grainger (double bass).

Paul Skerritt Band - The Pennyweight, Bakehouse Hill, Darlington DL1 5QA. Tel: 01325 468411. 8:00pm. Free.

Paul Donnelly Quartet - Dormans Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free. Tees Hot Club: Dormans Jazz Festival.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NJ. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, July 30, 2018

CD (EP) review: George Winstone - Outer Spaces

George Winstone (alto sax/composer); Charlie Stacey (piano); Mikeli Montolli (bass); Jamie Murray (drums).
(Review by Lance).
In an idiom where identity has almost become  set in stone (or should that be vinyl?), it comes as somewhat of a surprise to find someone whose style isn't Parker or Pepper, Coleman or Cannonball, Desmond or Dolphy but a player who has incorporated many of those latterday saints into his approach whilst still forging his own identity. Winstone has managed this.
This, however, is a two-edged sword.
The altoist/composer's lyricism is quite beautiful, a floating, ephemeral, sound that drifts like a cloud. Listen to Blues For Chloe. I don't know who Chloe is or was but I need to find out - anyone who hears it will want to know.
On the downside, his licks on the uptempo numbers sound, seemingly, similar. He unleashes them with such rapidity - no denying his technique - that I couldn't help feeling he'd already done that!
The clipped, almost staccato-like phrasing which, to me, is his signature dish, is impressive but, should Winstone move up to a bigger stage, he could become typecast.
In the meantime, just enjoy some original and melodic alto playing.
Not that this is a one-man show. Stacey's piano is on a par and, with the input from Montolli and Murray, it would be difficult to improve upon.
Lance.

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