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Bebop Spoken There

Robert Plant: "The only reunion we [Led Zeppelin] are likely to have is in a chip shop in Camden Town" - (i July 7).

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Roland Kirk: "A person can't appreciate freedom unless he's been in prison." - (Down Beat May 18, 1967).

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

Posting a comment

If you experience any problems posting a comment, as I understand some readers are, then email it to me direct, stating which post your comment relates to - lanceliddle@gmail.com. Alternatively, try the Anonymous button but please sign your name!
Apologies for any inconvenience, this is due to circumstances beyond my control.

Today Monday July 16

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

James Morrison Quartet - Gala Theatre, Millennium Place, Durham DH1 1WA. Tel: 03000 266 600. 7:30pm. £23.00. (£19.00. concs.). (Durham Brass Festival).

Northern Monkey Brass Band - Shotton Hall, The Green, Old Shotton, Peterlee SR8 2PH. 6:00-9:00pm. Free. Big BRASS Bash (Durham Brass Festival).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, June 23, 2018

The Ushaw Ensemble @ The Lit & Phil - June 22

Paul Edis (MD, composer, piano); Graham Hardy (trumpet, flugelhorn); Graeme Wilson (tenor saxophone, bass clarinet, flute); Emma Fisk (violin); Andy May (Northumbrian pipes); Paul Susans (double bass); Rob Walker (drums, percussion)
(Review by Russell/photo from GIJF).
The Ushaw Ensemble came into being to perform a commissioned work by Paul Edis celebrating the life and work of St Cuthbert. Such was the success of the project that, following performances at Ushaw College and Durham Cathedral, the septet continued as a working unit playing concerts throughout the north east of England, including a rapturously received performance at this year’s Gateshead International Jazz Festival.
June’s offering in the Lit and Phil’s series of monthly lunchtime jazz concerts presented a further opportunity to hear Paul Edis’ St Cuthbert Suite and The Sound of Achill. A large gathering took their seats in anticipation of a journey through time, place, and, perhaps for some, something of a spiritual experience. St Cuthbert’s Suite comprises twelve parts – beginning with St Cuthbert’s Theme then venturing into heavyweight subjects; A Vision, The Indefatigable Evangelist then on to The Death of Cuthbert, Seven Years Wandering, concluding with Dunholme.
The music, by no means exclusively jazz, held the audience rapt. The virtuoso musicians were handpicked for the project, most of them familiar jazz names – Graeme Hardy, Graeme Wilson, Emma Fisk, bassist Paul Susans and drummer Rob Walker – with Northumbrian pipes specialist Andy May adding a new texture to the regulation jazz ensemble sound. Soloists all, their stunning contributions were met with a typical jazz gig response…spontaneous, hollered applause.

The Ushaw Ensemble will soon go into the recording studio, Bebop Spoken Here will provide an update on such matters, so be sure to check these pages on a regular basis.
Russell.             

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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