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Bebop Spoken There

Robert Plant: "The only reunion we [Led Zeppelin] are likely to have is in a chip shop in Camden Town" - (i July 7).

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Roland Kirk: "A person can't appreciate freedom unless he's been in prison." - (Down Beat May 18, 1967).

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

Posting a comment

If you experience any problems posting a comment, as I understand some readers are, then email it to me direct, stating which post your comment relates to - lanceliddle@gmail.com. Alternatively, try the Anonymous button but please sign your name!
Apologies for any inconvenience, this is due to circumstances beyond my control.

Today Monday July 16

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

James Morrison Quartet - Gala Theatre, Millennium Place, Durham DH1 1WA. Tel: 03000 266 600. 7:30pm. £23.00. (£19.00. concs.). (Durham Brass Festival).

Northern Monkey Brass Band - Shotton Hall, The Green, Old Shotton, Peterlee SR8 2PH. 6:00-9:00pm. Free. Big BRASS Bash (Durham Brass Festival).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, June 20, 2018

Jazz Café Jam Session - June 19

(Review by Lance),
Jam sessions are unpredictable events. Some nights nobody turns up whilst other nights just about everyone shows. Invariably, the instrumental balance is rarely an even one. The other week we had alto saxes growing out of our ears whereas this week there was ne'er an Eb horn in sight although tenors were brandished freely. On this occasion, however, it was the piano that prevailed. Not one of your plug in and wind up keyboards but the good old house Hyundai upright which, defronted and hammers bared, laid down the invitation to "play me" and many did.
Stu Collingwood, with MacKellar and Grainger fuelling the engine - it was to be a long night for Paul, not another bass player in sight - paid tribute to the weather with A Foggy Day and Here's That Rainy Day before bequeathing the piano chair to Ben Richardson who added Misty to the weather report before taking off with How High the Moon?
Kate O'Neill stepped up to the plate for a rendition of  Summertime delivered with a voice that exudes raw emotion. Charismatic, a true original. The Very Thought of You had some growly tenor from John Rowlands and more earthy singing from Kate. She doesn't just sing but seems to act the words as she brings her musical drama to a traumatic close. Next stop Covent Garden!  
End of Act One.

Two-thirds of the Francis Tulip Quartet were in town so, with the help of the ever-present Grainger, they played a stormer on All the Things You Are and a number that sounded like Alone Together but probably wasn't. Tulip we know is the current 'comer' on guitar and he didn't disappoint. MacKellar had proved his worth since the session began (and, of course, long before that) but the revelation was Ben Lawrence on piano. It's only a couple of weeks since I last heard him but, even in that short space of time, prodigious is becoming an imminent adjective to insert.
The boys retired for a well-earned lemonade, John Rowland returned and Matt replaced Matt for a workout on Bernie's Tune and It Had to be You
Time for the entry of the gladiators in the form of Michael Lamb, George Sykes, Jamie Toms and Joel Brown. Joel, who may or may not still be a member of the FTQ, kept up the piano performances - he too seems to move up a gear each time we hear him. Lamb and the two tenors did the business on Just Friends. Wow! this was just too much and we had yet to hit the home straight.
Another day, another drummer and yet another piano incumbent. Mo on drums and a Hawaiian shirted pianist from sunny Manchester, Oliver Dowinton, joined Lamb and Rowland for Tadd's Ladybird. Despite the shirt which didn't match the weather Oliver made this truly a pianoramatic evening proving himself to be on a par with what had preceded him.
He stayed aboard for Kate's return. All of Me and Crazy He Calls Me. These were to be her final arias but still, there were others waiting in the wings.
John Bradford, drums, Charlie Gordon, guitar, Ben Richardson, George Sykes and, of course, Paul Grainger. They Waved in true Jobim fashion with Sykes just getting his head in front at the line.
What better tune to finish off with than Cherokee - the second Ray Noble tune of the evening and a belter by the FTQ - 1 + 1.
Even as I headed into the Newcastle night young MacKellar's drum 'n' bass beats hung in the air...
I rode home on the number 27 bus - or was it the number 7 cloud?
Lance.
Photos.
Stu Collingwood (piano); Paul Grainger (bass); Matt MacKellar (drums) + Ben Richardson (piano); Kate O'Neill (vocal); Ben Lawrence (piano); Francis Tulip (guitar); John Rowland (tenor); Matt Fairhirst (drums); Michael Lamb (trumpet); George Sykes, Jamie Toms (tenor); Joel Brown (piano); Hazem Mohammed (drums); Oliver Dowinton (piano); John Bradford (drums); Charlie Gordon (guitar).

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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