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Bebop Spoken There

Chris Potter: "When we were going to get on an aeroplane, he [Red Rodney] would always pretend to have a limp so we could get on first." (Jazzwise March 2019).

Archive

Today Thursday February 21

Afternoon

Jazz

Vieux Carré Jazzmen - Holystone, Whitley Rd., Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Society Trio - Revolucion de Cuba, 1 Cloth Market, Newcastle NE1 1EE. 6pm. Free,

Musicians Unlimited - Tees Hot Club, Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free. Guest band night.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NJ. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Daniel John Martin w Swing Manouche - Black Swan, Westgate Road, Newcastle NE1 1SG. Tel: 0191 261 5618. 8:00pm. £6.00. (£5.00. concs.).

Stu Collingwood (solo piano) - The Rabbit Hole, 17 Hallgarth St., Durham DH1 3AT. Tel: 0191 386 5556. 7pm. Book in advance.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, June 16, 2018

Durham University Big Band @ The Jazz Café - June 15

(Review by Lance/Photos courtesy of Ken Drew.)
If I thought the Bold Big Band were loud at the Dun Cow on Tuesday, DUBB, in the Jazz Café's upper room, made them seem like a string quartet. This is no reflection on either band but on the dimensions of the room. The Dun Cow had more space for the sound to travel and the chat level of some of the infidels in the audience also absorbed the band's decibels with a few decibels of their own. At the Caff, the sound was trapped and the audience a more attentive one. The main thing about both gigs was the sight of so many young musicians playing, so brilliantly, the music we love.
There was also an aura of sadness at both gigs as, being the end of term, several of the key players are departing for pastures new.
Tonight saw final appearances from alto/soprano saxist Dan Garel and drummer Tristan Bacon. Star players both, their departure akin to that of a Newcastle United Number 9 (Jackie Milburn, Super Mac, Alan Shearer etc.) leaving/retiring.
Both players let fellow band members and fans know what they were losing in no uncertain terms - particularly on Caravan, a Callum Au arrangement. 
There was a fine smattering of solos throughout with trombonist Patrick Morris kicking things off on Just Friends. Big fat sound. Frontman Zach Fox followed up on tenor and Garel began his long goodbye...
NYJO's Mark Armstrong, who'd, last week, put the band through their paces at a Durham workshop charted A Nightingale Sang in Berkeley Square and the band did him and the song justice.
Vocalist Evie looked good and sounded good (after some mic. adjustments) on Cheek to Cheek. Trumpet solo (Matt Clark) also impressed.
Point of Departure was in a more contemporary vein. Garel on soprano soloed and exchanged fours with trumpet (again M.Clark).
Eleanor Rigby featured Alex Flanders on flugel and Evie returned for I Can Do Better, She can, but tonight, on this number at least, it was a losing battle with the wall of sound behind her.
Rob Singleton fared better, but only just, on a rocky number that I failed to catch. Good voice and a mover too.
A shorter second set included a Shorter (Wayne) composition - Footprints; Robert Glasper's Let it Ride with Evie in good voice and Zach blowing some gutsy tenor; Singleton sang I Won't Dance à la Frank and finally (well almost finally) Evie sang the most amazing hip-hop vocal on Diddy-Bop and Dan blew as if there was no tomorrow.
Personnel listed is an educated guess.
Zach did namecheck everyone but, as he did it almost as fast as they played the Love For Sale encore my pen couldn't cope with it.
A superb evening by a superb band - let's see what next year's crop comes up with. It won't be easy...
Lance.
Dan Garel, Laura Buckingham alto; Zach Fox, tenor; Matt Shaw baritone;
Louis Clayden, Alex Flanders, Honor Hornsby, Matt Clark trumpet; 
Patrick Morris, Jordan Wiseman, Tommy Wise trombone; 
Tom Burgess guitar; Danny Booth piano; Dylan Purches bass; Tristan Bacon drums; 
Evie Hill, Rob Singleton vocals.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
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Lance