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Bebop Spoken There

Buddy Guy: "My mother said, 'You got flowers for me, give 'em to me now, because I'm not going to smell them when you put 'em on the casket'." - (DownBeat September 2018).

Marty Ashby: "I asked him what his gig was and he said 'I put the scores on the music stands'. I said, 'That's a gig?' And I realised there were four floors of guys like him, who supported some of the finest musicians in the world. But I was a jazz musician, and I was used to playing with some of the finest musicians in the world in front of the New York Public Library for tips. That's when I realised that jazz didn't have the same support system as classical music. - (DownBeat September 2018).

Today Tuesday August 14

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, May 15, 2018

Eddie Henderson & his Quartet @ Pizza Express, Soho – April 26-28

(Comments by Tomasz Furmanek - photos courtesy/copyright, Mochles Simawi).
Picture One:
Soundcheck. Eddie Henderson is very clear about what he wants in music and he always gives it his full attention. He is listening in silence, fully focused yet deeply in thoughts at the same time, somehow. He will not comment on anything until musicians finish playing. And then, he will make his comment, precise and clear, on how they should play the particular tune and in which moment exactly.
Picture Two:
Eddie listens to his quartet and plays his notes. He sits at ease, the tune is in his head, he expresses it effortlessly, perfectly. He’s just there. His communication with the band is perfect, he makes some little corrections to how the tune should be played.

Picture Three:
After his virtuosic, played in a seemingly effortless way parts, he would leave the stage to sit near his wife or the drummer. He seamlessly would be back on stage though, always in the perfect moment.

Picture Four/Five:
Eddie’s trumpet playing is of the highest possible level and quality. He plays effortlessly, his sound is crystal clear, his tone is fresh, crisp, warm and sometimes reserved at the same time - like a breath of a cool breeze on a sunny peaceful day. There is no exertion in his playing, but when he needs to, he can suddenly attack the sound with an explosive, volcanic energy – just to emphasise the notes he wants to be played in that particular way. You don’t need to try to concentrate on listening to his playing – his playing will concentrate your attention on itself without any effort from you.









Eddie Henderson was joined by a powerhouse quartet made up of longtime collaborators; fellow New Yorker Bruce Barth on piano, Arnie Somogyi on bass and Stephen Keogh on drums.
Tomasz

(Editor's note: We're extremely grateful to Tomasz for making these magnificent photos by Mochles Simawi available to BSH. Also, many thanks to Sebastian Scotney of LondonJazzNews for pointing Tomasz and Mochles in our direction. As a matter of further interest, Mochles Simawi's photo of Wayne Shorter made the final cut in Jazz World Photo 2016.)

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance