Total Pageviews

Bebop Spoken There

Camille Thurman: "Their [Tia Fuller & Mimi Jones] advice? If you're going to sing and play, be great at both or don't bother." - (DownBeat November 2018).

Greg Fishman: "I've loved playing music since I was 12, practising 8 hours a day, because I loved doing it every minute." - (DownBeat November 2018.)

Today Tuesday October 16

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, May 04, 2018

Binker and Moses: Poetry in Motion @ Sage Gateshead - May 3

(Review by Russell)
Crossings: Newcastle Poetry Festival isn’t, at first glance, an obvious event for review by Bebop Spoken Here. The participation of the much-hyped British saxophone and drums duo Binker and Moses flagged up the prospect of some ‘jazz’ content at this year’s Newcastle Poetry Festival. In the event, their input was if not minimal then certainly limited. The Londoners were in Gateshead sharing a stage with New York-based poet Tyehimba Jess. The other half of this double bill – the second half of the evening – would feature poetry, singing and flamenco guitar.
Tyehimba Jess (readings); Binker Golding (tenor saxophone); Moses Boyd (drums)

A moody, smoky, dry ice stage set welcomed Tyehimba Jess. Standing tall, an assured character positioned behind an Apple Mac generation lectern, Jess read from his Pulitzer Prize-winning Olio collection with the tenor sax and drums element there to top and tail the American’s three-quarters of an hour performance in Sage Two. Examining and commenting upon nineteenth-century African American lives, Jess revealed the experience of slavery, emancipation and the ongoing struggle of those living today in difficult times.

Tyehimba Jess offered an insight into his working methods. A precis will prove to be inadequate – Jess writes lines which can be read from the left to the mid-way point of the line, the eye darting to the line below, the remainder of the line (to the right of the mid-way point seemingly unconnected, to be read as a separate, stand-alone line). So far, so good. But there’s more, much more to Jess’ thinking. As he demonstrated, lines, half lines, can be read from any point on the page. Start from the last line and read up, skip a line, pick up at a random point in the text, amazingly, somehow it works. Copies of Olio were on sale outside Sage Two. Unsurprisingly all copies sold. And, as and when Binker Golding and Moses Boyd were pressed into action, they did the ‘jazz’ business.
 
Fernando Valverde (readings); Juan Pinilla (singing); David Caro (flamenco guitar)

Following a short interval, poet Fernando Valverde walked onto stage alongside singer Juan Pinilla and – this would prove to be a real bonus – flamenco guitarist David Caro. Valverde recited poems from Jugar con Fuego, a Latin Grammy-nominated collaborative work with Pinilla.

As one would perhaps expect Valverde read in Spanish. A screen behind, high above projected an English translation of the text. At first, this was a welcome aide, yet, after a while, it didn’t matter that much, as Juan Pinilla’s impassioned singing stole the show. And speaking of stealing the show the brilliant flamenco guitarist David Caro just about stole the show himself, and, if he returned to Sage Gateshead to give a solo recital your Bebop Spoken Here reviewer would be first in the queue.  

An interesting and certainly very different evening’s entertainment at Sage Gateshead. 
Russell      

No comments :

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance