Total Pageviews

Bebop Spoken There

Lionel Loueke: "A mistake is just for the moment - make it the best mistake it can be, and that's it" - (JazzTimes, April 2019).

Archive

Today Friday April 26

Afternoon

Jazz

Vieux Carré Jazzmen - The Black Bull, Frosterley DL3 2SL. Tel: 01388 527784. Coach trip dep Tyneside 10:30am. Tickets: £15.00. Info: 0191 252 9429.

Rendezvous Jazz - Monkseaton Arms, Front St., Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Noel Dennis Trio - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

The City Trio - Stack, Pilgrim Street, Newcastle NE1 6QE. Tel: 0191 216 1415. 5:00-7:00pm. Free. Alice Grace, Jennifer Davies, Ben Helm.

Evening.

Swing Bridge - Scott's, Forum Cinema, Market Place, Hexham NE46 1XF. Tel: 01434 601144. 6:20-7:15pm. Free. Gig in the cafe.

James Birkett & Emma Fisk - The Old Low Light, Clifford's Fort, North Shields Fish Quay NE30 1JA. Tel: 0191 257 4506. 7:00pm. £10.00. Advance booking required.

Baghdaddies - Ponteland Beer Festival, Ponteland Leisure Centre, Callerton Lane, Ponteland NE20 9EG. Baghdaddies 7:15pm (doors 6:00pm). £12.00.

Pepperland - Theatre Royal, Grey Street, Newcastle NE1 6BR. Tel: 08448 112121. 7:30pm. £19.00. Mark Morris Dance Group's 50th anniversary celebration of The Beatles' Sgt. Pepper's Lonely Hearts Club Band album. MD Ethan Iverson leads seven-piece NYC band. First night of two.

The Ronnie Scott’s Story: 60th Anniversary Concert - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 8:00pm. £27.70. & £18.50. Support set by Jambone on concourse (7:00pm).

Sue Ferris Quintet - Traveller’s Rest, West Auckland Road, Cockerton, Darlington DL3 9ER. Tel: 01325 468177. 8:00pm (doors 7:30pm). £8.00. Note new, earlier start time.

Blues/Soul/Funk

45 Spread - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, April 10, 2018

GIJF Day 3: Ushaw Ensemble - Sage Gateshead, April 8

Paul Edis (piano); Andy May (Northumbrian pipes); Graham Hardy (trumpet, flugelhorn); Graeme Wilson (tenor sax, flute); Emma Fisk (violin); Paul Susans (double bass); Rob Walker (drums)
(Review/photo courtesy of Ken Drew) 
Paul Edis juggles many projects and, to mix a metaphor, keeps several plates spinning at once. Educator (principally here at Sage Gateshead), working musician, often as a bandleader, busy concert promoter, there can’t be enough hours in his day to take on much else, yet now he has another project bubbling along nicely…the Ushaw Ensemble. Working to a commission, Dr Edis wrote St Cuthbert’s Suite to be performed first at Ushaw College, then, next day, in the equally impressive surroundings of Durham Cathedral and has since found a receptive audience in the generally less salubrious surroundings of jazz clubs and festivals.   
The Ushaw Ensemble opened Jazz North East’s Sunday afternoon schedule on the concourse. The usual line-up, including ‘folkie’ Andy May playing Northumbrian pipes, played two long form pieces in the forty or so minutes allotted to Edis’ seven-piece band. The Ensemble’s musicians, without exception, are accomplished soloists in their own right and Here and Now, Gone Forever placed several of them in the spotlight; Graeme Wilson’s assured tenor saxophone playing, Paul Edis reading reams of dots, the lyrical flugelhorn of Graham Hardy, bassist Paul Susans’ solo, a first contribution from the imperious Emma Fisk (violin), Andy May’s piping and Rob Walker, the man at the back, reading his part from behind the traps. So, all made their mark, with a Sunday brunch audience listening closely as the music finally became stilled.

Achill Island lies off the west coast of Ireland and, on a visit to this remote part of the world, Edis found inspiration to compose The Sound of Achill, the second piece to be featured at this year’s Gateshead International Jazz Festival. Andy May stepped forward to play Northumbrian pipes – perhaps Cuthbert himself would have readily recognised the sound, more so than the sounds of ‘jazz’ instruments as we know them. St Cuthbert’s Suite is a piece of music deserving of further exposure with, perhaps, a recording session to document the project.  
Russell .
Ken Drew Festival Photos (ongoing).                                 

No comments :

Blog Archive

Subscribe!