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Bebop Spoken There

Piers Paul Read: "Bruce Reynolds and Biggs shared an interest in Sex, Jazz and Hemingway." - (The Train Robbers by Piers Paul Read, Coronet Books 1979.)

George Shearing: "Speaking about Johann Sebastian Bach I think he'd be a real jazzer if he were alive today. I mean any man who has two wives, twenty kids, gets kicked out of the church for being too harmonically radical and drinks beer can't be all wrong can he?" - (Crescendo March 1984.)

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

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If you experience any problems posting a comment, as I understand some readers are, then email it to me direct, stating which post your comment relates to - lanceliddle@gmail.com. Alternatively, try the Anonymous button but please sign your name!
Apologies for any inconvenience, this is due to circumstances beyond my control.

Today Saturday July 21

Afternoon

Women Play Jazz! Workshop - The Globe, Railway Street, Newcastle NE4 7AD. 2:00pm. £25.00. (£22.50. Jazz Co-op shareholder) payable in advance. Tutor: Jilly Jarman.

Michael Woods - Garden Village Association, Rosewood Avenue, Gosforth, Newcastle NE3 5DD. From 4:00pm. Summer Party & Barbecue.

Jambone with Laura Jurd - Gala Theatre, Millennium Place, Durham DH1 1WA. Tel: 03000 266 600. 12 noon. Durham Brass Festival. Free.

Mississippi Dreamboats - Blackett St., Newcastle NE1 7BS. 3 x 30 min. sets (11:30am/1:45pm/4:30pm). Free.

Jazz - Spanish City Plaza, Whitley Bay NE26 1BG inc Alter Ego (1:00pm), Vieux Carré Jazzmen (3:00pm).

Evening

Northern Monkey Brass Band - Wharton Park, Durham DH1 4UF. 6:00-9:00pm. Free. Streets of Brass (Durham Brass Festival)

Davina & The Vagabonds – Sage Gateshead, St. Mary’s Sq., Gateshead Quays NE8 2JR. 10:30pm. 18:80. Full Americana program.

Francis Tulip Quartet - Zeffirellis , Compston Rd., Ambleside, Cumbria, LA22 9AD. 8:30 pm Free

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, April 10, 2018

GIJF Day 3: The Interchange Dectet Led By Issie Barratt – Sage Gateshead, April 8

Brigitte Beraha (voice); Yazz Ahmed (trumpet, electronics); Helena Kay (clarinet, alto sax); Tori Freestone (flute, ten, sop sax, violin); Issie Barratt (bari sax, bandleader); Carol Jarvis (trombone); Shirley Smart (electric cello); Karen Street (accordion); Charlie Pyne (double bass); Katie Patterson (drums, percussion)
(Review by Ann Alex/photo courtesy of Ken Drew).
Issie Barratt explained that she usually works as a composer who is given commissions to complete, but she decided that she wished to work with musicians of her own choosing to see what they could all come up with. And this is it. Ten very talented musicians, playing 10 works, which will eventually result in a CD to be called Donna’s Secret, which is also the title of a novel which has influenced one of the pieces. 
All the pieces were composed by band members or other women, and I’d describe the music as world music, influenced by jazz. I use the word pieces, rather than tunes, as each piece is complex, about ten minutes long, programmatic, as each section is descriptive of the title to some extent, and there appears to be much improvisation. Many different influences are present, Arabic and Middle Eastern tunes, folk tunes, poetry and Shakespeare.
And there is the added attraction of the (mostly) wordless vocals from Brigitte Beraha, who sings expressively in rich tones, an integral part of many of the pieces. The electronic effects also add much, such as the voices of women calling the cattle home across the valleys, in the final piece.
The piece entitled Caliban by Cassie Kinoshi, was being played for the first time ever. It began with a bowed bass and low horns in a lumbering rhythm, as you’d imagine Caliban to appear, then multi-tracked vocals and a trombone rhythm accompanying the horns, followed by accordion music.
To try to get the ‘feel’ of the music, I’ll simply list the pieces with the composer’s name.

Still Here by Karen Street, which referred to her mother, who has Alzheimer’s disease.
An Ocean Formed of Stars by Yazz Ahmed, with quotations from the poetry of Rumi, and an ethereal sound.
Spontaneous Symmetry by Tori  Freestone, luscious music.
To The Power of Ten by Nikki Yeoh.
Negomi by Nikki Iles.
Caliban as above.
Donna’s Secret by Brigitte Beraha, with sweet singing from Brigitte and the bass player.
Palmyra by Shirley Smart, my favourite piece, with a very eastern-sounding cello, concerning the recent destruction of ancient monuments.
Samla Korna Med Kulning by Issie Barratt.

There may have been another piece, Hope by Carol Jarvis, which was introduced when I was distracted by my reviewer’s pen running out!  Every reviewer’s nightmare, sorry about that.

I guess that this music would especially please jazz lovers of wide tastes who like something out of the ordinary, and also classical music fans who are familiar with programmatic music. An interesting evening’s music.
Ann Alex

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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