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Bebop Spoken There

Andrew Hadro: "It seems to me that everybody just puts out an album, they go through the motions, spend the money and they just sort of throw it out there into the sea of CDs and hope something comes back" - (DownBeat June 2018).

Jonnathan Blake (Blindfold Test): “Maybe it's someone from New Orleans who has lived in New York for a minute.” (DownBeat June 2018).

Today Sunday May 20

Afternoon

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 12 noon. Free.

Am Jam - The Globe, 11 Railway Street, Newcastle NE4 7AD. 3:00pm. Free.

Somethin’ Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 5:00pm. Tel: 01325 788564. Matt Case (saxophone) & Mike Hepple (guitar).

Evening

Budtet Plus - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £5.00. A farewell to Lin Lee Wong with an expanded (octet) line-up for the occasion.

Alter Ego - Black Bull, Bridge Street, Blaydon NE21 4JJ. 8:00pm. £5.00. Blaydon Jazz Club.

Twice Brewed - Billy Bootleggers, 28 Nelson Street, Newcastle NE1 5AN. 8:30pm. Free.

Jazz Jam - Empty Shop, 35c Framwellgate Bridge, Durham DH1 4SJ. 7:30pm. Free. DurhamUniversityJazz Society.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, April 10, 2018

GIJF Day 3: The Interchange Dectet Led By Issie Barratt – Sage Gateshead, April 8

Brigitte Beraha (voice); Yazz Ahmed (trumpet, electronics); Helena Kay (clarinet, alto sax); Tori Freestone (flute, ten, sop sax, violin); Issie Barratt (bari sax, bandleader); Carol Jarvis (trombone); Shirley Smart (electric cello); Karen Street (accordion); Charlie Pyne (double bass); Katie Patterson (drums, percussion)
(Review by Ann Alex/photo courtesy of Ken Drew).
Issie Barratt explained that she usually works as a composer who is given commissions to complete, but she decided that she wished to work with musicians of her own choosing to see what they could all come up with. And this is it. Ten very talented musicians, playing 10 works, which will eventually result in a CD to be called Donna’s Secret, which is also the title of a novel which has influenced one of the pieces. 
All the pieces were composed by band members or other women, and I’d describe the music as world music, influenced by jazz. I use the word pieces, rather than tunes, as each piece is complex, about ten minutes long, programmatic, as each section is descriptive of the title to some extent, and there appears to be much improvisation. Many different influences are present, Arabic and Middle Eastern tunes, folk tunes, poetry and Shakespeare.
And there is the added attraction of the (mostly) wordless vocals from Brigitte Beraha, who sings expressively in rich tones, an integral part of many of the pieces. The electronic effects also add much, such as the voices of women calling the cattle home across the valleys, in the final piece.
The piece entitled Caliban by Cassie Kinoshi, was being played for the first time ever. It began with a bowed bass and low horns in a lumbering rhythm, as you’d imagine Caliban to appear, then multi-tracked vocals and a trombone rhythm accompanying the horns, followed by accordion music.
To try to get the ‘feel’ of the music, I’ll simply list the pieces with the composer’s name.

Still Here by Karen Street, which referred to her mother, who has Alzheimer’s disease.
An Ocean Formed of Stars by Yazz Ahmed, with quotations from the poetry of Rumi, and an ethereal sound.
Spontaneous Symmetry by Tori  Freestone, luscious music.
To The Power of Ten by Nikki Yeoh.
Negomi by Nikki Iles.
Caliban as above.
Donna’s Secret by Brigitte Beraha, with sweet singing from Brigitte and the bass player.
Palmyra by Shirley Smart, my favourite piece, with a very eastern-sounding cello, concerning the recent destruction of ancient monuments.
Samla Korna Med Kulning by Issie Barratt.

There may have been another piece, Hope by Carol Jarvis, which was introduced when I was distracted by my reviewer’s pen running out!  Every reviewer’s nightmare, sorry about that.

I guess that this music would especially please jazz lovers of wide tastes who like something out of the ordinary, and also classical music fans who are familiar with programmatic music. An interesting evening’s music.
Ann Alex

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
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Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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