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Bebop Spoken There

Jeff Lindberg: "You can have innovative new music and you can play music of the masters. They're not going to cancel each other out" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Sunday May 26

Afternoon

Jazz

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm (doors 12 noon). Free.

More Jam - The Globe, Railway St., Newcastle NE4 7AD. 3:00pm. Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free. Jam session with house trio.

Northern Monkey Brass Band - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 11:30am (street set) & 1:00pm stage set. Whitley Bay Carnival.

Somethin' Blue - Vesuvio, Houndgate, Darlington DL1 5RL. Tel: 01325 788564. 5:00-7:00pm. Free.

Geordie Jazz Man - The Exchange, Howard Street, North Shields NE30 1SE. Tel: 0191 258 4111. 5:30pm. £10.00. Screening of Abbie Lewis’ documentary film about Keith Crombie & the Jazz Café.

Gavin Lee: Reg Wall's New Orleans Ragtime Band - Shotton Colliery Officials Club, Shotton Colliery DH6 2JS. 5:30pm.

Blues

King Snake - Billy Bootleggers, Nelson St., Newcastle NE1 5AN. 3:00pm. Free.

Evening

Jazz

Back to Basics - Quakerhouse, Mechanics' Yard, Darlington DL3 7QF. Tel: 01325 245052. 6:15pm. Free. Set lists available, for details Facebook Darlington Jazz Club.

Federica Michisanti’s Trioness - Bridge Hotel, Castle Garth, Newcastle NE1 1RQ. Tel: 0191 260 3246. 8:15pm. £10.00 (£8.00 conc.). JNE.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, April 07, 2018

GIJF Day 1: Big Chris Barber Band - Sage Gateshead, April 6

(Review by Russell)
Jazz festivals introduce change, the new, the hip into crowded schedules with little time to stop for breath and reflect. Sage Gateshead’s amazing three-day Gateshead International Jazz Festival is at the forefront in developing connections – particularly across Europe – and introducing the ‘new’. The opening night of this year’s GIJF exemplified this, yet, as many festival-goers made their way into Sage One, the largest performance space in the Norman Foster-designed Tyneside landmark, preparing to immerse themselves in a triple bill featuring the headlining Sun Ra Arkestra, and just across the way in the Northern Rock Foundation Hall significant numbers were keenly anticipating an evening of contemporary jazz piano, it was in Sage Two that one of the enduring figures in jazz attracted a standing-room-only crowd.

A ten-piece band playing ‘classic era’ jazz with lots of Duke Ellington, some might say such bands are ‘ten-a-penny’ and perhaps they are, but this band in the three-tiered Sage Two concert hall is, note present tense, one of the great bands. Chris Barber maintains a punishing schedule, touring across Europe returning to play a string of British dates then setting off again…Germany, Holland, the tour bus clocking up tens of thousands of miles, year in year out, filling concert halls wherever he goes. Bourbon Street Parade – what else? – set the ball rolling and from then on it was typical Barber. The legendary bumbling announcements have taken on epic proportions and reassuringly remain as incomprehensible as ever. The jazz is simply marvellous, the numbers coming thick and fast; Rent Party Blues, Jubilee Stomp, Goin’ Home, Barber’s enthusiastic commentary referencing Ellington, Clarence Williams, Ken Colyer (hurrah!), Sonny Terry and Brownie McGee.

The band – it’s important to get the words in the right order – is the Big Chris Barber Band and the nine, plus Barber, played straight through without an interval although Barber needed reminding of this at about the halfway point! From time to time two or three band members wandered off stage allowing a smaller combo to have a blow, variously the trumpets (Pete Rudeforth, Mike Henry), the hirsute Bob Hunt (trombone, arrangements and Barber’s right-hand man), the youthful Nick White, reeds, featured on alto playing a really modern piece titled All Blues (!), and the new face, Scot Ian Killoran, slotting into the reeds’ section, playing as if he’d been in the line-up for twenty years. Give him twenty years and he will have been in the band for that long (it’s the kind of thing Barber might say), and what’s the betting that C. Barber will still be at the helm?!

Wild Cat Blues, Black and Tan Fantasy, C Jam Blues, the Big Chris Barber Band was having fun – Bert Brandsma wielded a mean liquorice stick, the rhythm section purring, Barber was in there, all the more these days as a member of the band rather than leader of the band. It was Bob Hunt who kept the great man on track with a quiet word, a smile. Barber would have gone on ’til midnight but the younger members of the band didn’t have half his energy and it was getting past their bedtime. Sage Two’s audience rose to its feet to acclaim Chris Barber. He’ll be back, that’s for sure. 
Russell.    
Chris Barber (trombone, vocals); Bob Hunt (trombone, trumpet, arrangements); Mike Henry (trumpet, cornet); Pete Rudeforth (trumpet, vocals); Nick White (alto, soprano & baritone saxophones, clarinet); Ian Killoran (clarinet, tenor & bass saxophones); Bert Brandsma (clarinet, tenor & bass saxophones); Joe Farler (banjo, guitar); John Day (double bass); John Watson (drums).

                        

1 comment :

Patrick said...

At the age of 87 Chris Barber's energy is still there - and his sense of humour hasn't deserted him either - referring to a classic rendition of Petite Fleur by Nick White as "a medley of our hit" All in all, a superb evening's entertainment.

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