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Bebop Spoken There

Benny Golson: "Art is a lifetime commitment." - (DownBeat August 2018.)

George Wein: "The musicians backstage at the Newport Festival said she [Marian McPartland] is more advanced in her harmonic structure than all the other piano players put together." - (DownBeat August 2018.)

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

Posting a comment

If you experience any problems posting a comment, as I understand some readers are, then email it to me direct, stating which post your comment relates to - lanceliddle@gmail.com. Alternatively, try the Anonymous button but please sign your name!
Apologies for any inconvenience, this is due to circumstances beyond my control.

Today Sunday July 22

Afternoon

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1pm. Free.

Music by the Sea Jamboree - Jackson's Wharf, The Highlight, Hartlepool TS24 0XN. 4pm. Free. Hosted by the Mick Donnelly Academy of Music.

More Jam - The Globe, Railway Street, Newcastle NE4 7AD. 3:00pm. Free.

Auld Man’s Baccy - Tyne Bar, Maling St, Newcastle NE6 1LP. Tel: 0191 265 2550. 4:00pm. Free

Doggone Daddies - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DE. 3:00pm. New weekly jam session.

Somethin’ Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 5:00pm. Tel: 01325 788564. Matt Case (saxophone) & Mike Hepple (guitar).

Zöe Gilby Trio - Blackett St., Newcastle NE1 7BS. 3 x 30 min. sets (11:30am/1:45pm/4:30pm). Free.

Jazz - Spanish City Plaza, Whitley Bay NE26 1BG inc Rendezvous Jazz (11:00am); Riviera Quartet (2pm).

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Full Americana program.

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Evening

Lickety Split - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £6.00. (£3.00. student).

Left Hand Lewis - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. Doors 7:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, April 29, 2018

CD Review: Jungsu Choi Tiny Orkester - Tschuss Jazz Era

Jungsu Choi (vocals (2) composer/arranger); Eunmi Kim (flute); MinkYu Cha (alto); Sungil Bae (tenor); Yejung Kim (trumpet); Junyeon Lee (trombone); Sehwa Kang (cello); Sungyun Hong (guitar); Jungmin Lee (piano); Joseph Han (bass); Hyunsu Lee (drums) + Jinho Pyo, Sehyun Baik (vocals)
(Review by Lance)
Jungsu Choi: “In whatever direction jazz might develop, I am ready to welcome the new jazz, bye-bye jazz era! My music is meant to free jazz from jazz, without any labels
Michael Gibbs: “Wow! This is top-class, modern big band jazz, with solidly and very well made, unique arrangements – energetic, orchestral, demanding, skilfully written…Jungsu Choi’s music introduces us to his fascinating feel and his talent. ”

Choi’s remarks may sound like posturing but, taken in conjunction with Michael Gibbs’ observations that thought is soon dismissed and, upon listening to the album, it becomes readily apparent that this is something special!
Leader Choi spent three years composing two and arranging all of the five tracks. He never actually had the chance to hear them during that period, they only existed, he says, in the shape of ink on hundreds of pages of paper.
Maybe, but when listening to the Tiny Orkester, one can but marvel at the skills of these 12 or so Korean musicians interpreting those ‘ink shapes’ so brilliantly.
You may think you’ve heard Anthropology, A Train and Spain one time too many but, take it from me, you’ve never heard them quite like this! 
A Train is, in fact, retitled as What if Duke Ellington Didn’t Take the A Train? Junyeon Lee’s trombone solo brings some sanity into this attempt to derail the most famous train in jazz history.
Spain has a long intro and many changes of tempo before the tune emerges. Some scintillating flute work is almost submerged by the ensemble, complete with wordless vocal.
Anthropology has cool alto, fiery trumpet and more outstanding fluting including a flute/tenor counterpoint section that defies the use of the word incredible – it’s not strong enough!
Stolen Yellow has the composer vocalising as part of the ensemble, guitar solo by Hong, bullfight trumpet over steady trombone riff. Wild alto blast, fantastic writing takes it out.
The other original, Nach Wien 224, sees Choi and Pyo adding their voices to the ensemble with cello emerging briefly. Pyo can also be heard solo. This is as close to a ballad as it gets which isn’t very close although maybe it is by Korean standards.
King Gil Evans is dead. Long Live King Choi!
A late arrival in the CD of the Month Stakes.
Lance.

Available on Challenge Records or via Amazon-ITunes.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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