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Bebop Spoken There

Chick Corea: "Most pianists with a classical training fail lamentably in the playing of our ragtime or jazz because they use the pedaling of Chopin when interpreting the blues of Handy." - (DownBeat, December 2018).

Today Monday November 12

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, March 31, 2018

Strictly Smokin’ Big Band @ The Millstone - March 29

(Review by Russell). 
Easter weekend yet the band was just about at full strength, a testament to the commitment of those involved. A three-horn trumpet section plus two top-rank trombone deps, otherwise this was the A-Team ready to go on this the Strictly Smokin’ Big Band’s monthly public rehearsal night. No time to waste as MD Michael Lamb counted them in on Mexicali Nose (from Buddy Rich’s Big Swing Face) followed by Sammy Nestico’s arrangement of Hayburner. A cracking start and it’s a free admission night down at the Millstone!

A three-flute intro courtesy of Messrs Rangecroft, Robinson and Summers encouraged Alice Grace to confide: My Heart Belongs to Daddy. A nice arrangement with Steve Summers’ alto burning it up in advance of a Latin-feel trumpet part for Gordon Marshall. Band vocalist Grace hung around long enough to run through Teach Me Tonight. In fact, there was much more of Ms Grace with her side-kick F’reez elsewhere. An uptempo Beautiful Love, Angel Eyes with Paul Gowland’s breathy tenor, then a new chart – One Note at a Time – from the pen of American Doug Beach.
The SSBB’s pad is nothing if not varied. The reeds excelled on the Thad Jones-Mel Lewis number Groove Merchant as did ex-pat American trumpeter Pete Tanton and the SSBB’s ‘go to’ trombonist David Barnes. More vocal excellence from Alice Grace on Cole Porter’s You Do Something to Me, then a short interval, time for a natter – ‘hello’ to Brian, Jimmy, Jamie, Michael, Pete – and another pint of the Millstone’s tip-top, hard-to-find Bass.

A rip-roaring Ol’ Man River resumed hostilities with bandleader Lamb showing the way with a bold, assertive trumpet solo. More from Lamb as Alice Grace returned to ask How High the Moon? Band participation enabled our vocalist to engage in a fun call and response section on Ella’s early chart success A Tisket A Tasket. Neal Hefti then Rodgers and Hammerstein: Flight of the Foo Birds and My Favorite Things, the latter benefitting from Michael Whent’s in-the-pocket bass line and perhaps the solo of the night from Keith Robinson blowing some incisive alto.

The incomparable Alice Grace returned to see out the night singing Alright, Okay, You Win and an intriguing new chart – to these ears – from Dane Veronica Mortensen of guitarist Ole Frimer’s tune Not Just a Date. Mortensen has worked extensively with small group and big band, notably Aarhus’ Klüvers Big Band. Check out Mortensen’s work, and check out the Strictly Smokin’ Big Band’s gigs – the next public performance is a late Sunday afternoon session at Hoochie Coochie on April 22. 
Russell.                            
Strictly Smokin’ Big Band: Michael Lamb MD, Pete Tanton, Gordon Marshall trumpets; David Barnes, Mark Ferris, Chris Kurgi-Smith, Laura Davison trombones; Jamie Toms, Paul Gowland, Steve Summers, Keith Robinson, Laurie Rangecroft reeds; Pawel Jedrzejewski guitar; Graham Don piano; Michael Whent bass; Guy Swinton (drums); Alice Grace (vocals).

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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