Total Pageviews

Bebop Spoken There

Branford Marsalis: "Back in 1990, I used to go waltzing past the melody, treating it as something to sidestep before starting to solo in double time. " - (Jazzwise April 2019).

Archive

Today Saturday March 23

Afternoon

?????

Evening

Jazz

Jive Aces: Big Beat Revue - Queen’s Hall, Beaumont St., Hexham NE46 3LZ. Tel: 01434 652477. 7:30pm. £18.00. (£16.00. concs.).

Daniel Herskedal + Paul Taylor w Faye MacCalman - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 8:00pm. £14.70.

Blues

Boys of Brass - Tyne Bank Brewery, Walker Road, Newcastle NE6 2AB. Tel: 0191 265 2828. 7:00pm. Free.

The Seatones - Jesmond Royal British Legion Club, West Jesmond Avenue, Jesmond, Newcastle NE2 3EX.Tel: 0191 281 0736. 7:30pm. £5.00.

Stax Brothers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, March 23, 2018

MGB: The Milne Glendinning Band @ The Globe - March 22

Debra Milne (vocal/lyricist); Steve Glendinning (guitar/composer); Katy Trigger (bass guitar); Nik Alevroyiannis (drums).
(Review by Lance/photo courtesy of Ken Drew).
A program of, in the main, original compositions. Words by D.Milne, music by B.Golson, S.Glendinning, B.Johnston and A.Glen.
During the course of the evening, Debra supplied her own words to Benny Golson's Killer Joe as well as pieces closer to home such as Alan Glen's Easy Go, a couple by guitarist Bradley Johnston and several by Steve Glendinning who played some stellar solos during the course of the gig.
Intriguing titles: The Pick-Up, which wasn't about a truck, Too Busy For Thinking, Soul Mate, Blame Game, Man in a Room, Stay, Don't Come Back Here Anymore, Most People, a song about voters and politicians that our girl wrote the day after Trump got the keys to the White House and Show me the Man.
I'm not sure which were Bradley's compositions and which were Steve's but words and music gelled nicely on all of them.
Perhaps the most interesting song of all was one which Debra wrote whilst on a songwriting course at the WEA - The Bridge Song. Nothing to do with Sonny Rollins and his 3-year sabbatical practicing on the Williamsburg Bridge, but to do with the building of the Tyne Bridge which took place from 1925 to 1928. A folksy song with a catchy hook worthy of becoming a Geordie standard in years to come - It would slot nicely into Roly Veitch's Geordie Songbook.
There were also a couple of standards - Corcovado and Four. The latter piece closed the session and had voice and guitar playing the head in unison - very effective.
Katy Trigger only took one solo, we'd have liked more; her pivotal support held the whole thing together. On drums, Nik impressed with his solo in the first set and excelled in the final round of fours on Four in the finale.
Debra was, well Debra. If she seemed a little restrained on the opening Killer Joe, that restraint disappeared as the four individual components became one and her distinctive style asserted itself.
Enjoyable evening.
Lance.

No comments :

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance