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Bebop Spoken There

Lionel Loueke: "A mistake is just for the moment - make it the best mistake it can be, and that's it" - (JazzTimes, April 2019).

Archive

Today Thursday April 25

Afternoon

Jazz

Vieux Carré Jazzmen - Holystone, Whitley Rd., Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Tees Valley Jazzmen - The Merry Monk, Market Place, Bishop Auckland DL14 7NP. 12:30pm. Free.

Evening

Jazz

Eliot Smith Dance: Triple Bill - Newbiggin Maritime Centre, Church Point, Newbiggin by the Sea NE64 6DB. Tel: 01670 811951. 7:30pm. £14.00. (£12.00. concs., £30.00. family). Performance inc Poppy (music composed by Jason Holcomb).

Julija Jaceniate Trio Black Swan, Westgate Road, Newcastle NE1 1SG. Tel: 0191 261 5618. 8:00pm. £6.00. (£5.00. concs). Jacenaite (vocals), Steve Glendinning (guitar), Paul Grainger (double bass).

Paul Skerritt Band - The Pennyweight, Bakehouse Hill, Darlington DL1 5QA. Tel: 01325 468411. 8:00pm. Free.

Paul Donnelly Quartet - Dormans Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free. Tees Hot Club: Dormans Jazz Festival.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NJ. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, March 13, 2018

CD Review: Owen Broder - Heritage

Owen Broder (alto/tenor/baritone); Sarah Caswell (violin); Scott Wendholt (trumpet/flugel); Nick Finzer (trombone); James Shipp (vibes/perc); Frank Kimbrough (piano); Jay Anderson (bass); Matt Wilson (drums); Wendy Gilles, Kate McGarry, Vuyo Satashe (vocals).
(Review by Lance).
As the name implies, Heritage is saxophonist/composer Broder's exploration of American roots music from Appalachian folk to early blues, spirituals to bluegrass, carefully weaving the elements into another distinctly American musical tradition - jazz.
The album kicks off with Broder's own Appalachian inspired Goin' Up Home with solos by Shipp and Finzer. The latter managing to slot the well known Milt Bernhardt phrase from Kenton's Peanut Vendor into his trombone solo.
Tokyo-born Miho Hazama provided Wherever the Road Leads which gave space for some fine alto playing from Broder, Finzer sans Bernhardt and some country fiddling from Sarah Caswell. An improvised hoedown in them there hills.

Sarah fiddled whilst serving the Jambalaya à la Bill Holman. Holman said: "I picked Jambalaya for its simple melody and harmony, which left space for me to do what arrangers do." It also left space for Wendholt to get some Miles in. Broder added: "This swinging re-imagination of the Cajun tune has closer ties to Birth of the Cool than the streets of New Orleans".
Jim McNeely arranged Cripple Creek drawing parallels with Jazz and Bluegrass. Trumpet, tenor, trombone and fiddle affect the merger of the genres and there ain't a banjo closer than you could throw one. A rousing Dixieland ride-out with some tailgating from Finzer.
Wayfaring Stranger takes me back to my pre-jazz days and a Burl Ives'78'. This Ryan Truesdale arrangement bears little resemblance to the Burl Ives version (or, indeed, Truesdale's Gil Evans' Project). McGarry, Gilles and Sotashe provide words to this bleak landscape that is only made tolerable by Jay Anderson's bass solo.
I'm Not Afraid to Die, a Hazama arrangement of a composition by Gillian Welch, showcases Kimbrough on piano and a mellow flugel solo by Wendholt.
Brodeo, composer Truesdale, captures the atmosphere of the rodeo with the bluegrass and the jazz played out by Caswell and Broder. Wilson's drums perhaps represent the bucking broncos - no, I'm not swearing!
The People Could Fly. Alfonso Horne's piece tells of an African tribe who could fly. They were taken into Slavery and shipped to America where all but one forgot how to fly. That one ancient reminded them how to fly and they flew away to safety. On the album, it is Finzer who flies with down-home earthy plungering. Satashe chants Karuka which means 'to fly'.
Broder wrote A Wiser Man Than me as a New Orleans dirge that allows the group to improvise freely. Broder blows baritone. Classic blues.
An interesting album that grows upon repeated listening.
Lance.

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