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Bebop Spoken There

Nate Smith: "Record labels, booking agents, management, still can't imagine the drummer as bandleader" - (DownBeat January 2019).

Today Saturday December 15

Afternoon

Newcastle University Jazz Orchestra - Hatton Gallery, King's Road, Newcastle University NE1 7RU. Tel: 0191 277 8877. 12 noon. Free.

Jazz Attack - Sage Gateshead, St Mary's Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 2:50pm. Young Musicians Live! YMP Winter Festival. Concourse, free.

Jambone + Folkestra - Sage Gateshead, St Mary's Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 4:00pm. Young Musicians Live! YMP Winter Festival. Sage Two, free but ticketed.

Evening

Strictly Smokin’ Big Band - Gosforth Civic Theatre, Regents Farm Road, Gosforth, Newcastle NE3 3HD. Tel: 0191 284 3700. 8:00pm. £12.00. + bf. Second night of two

Boys of Brass - George Washington Hotel, Stone Cellar Road, High Usworth, Washington NE37 1PH. Tel: 0191 402 9988. 7:00pm. Xmas party night.

Big Band Theory - Traveller's Rest, West Auckland Road, Darlington DL3 9ER. Tel: 01325 468177. 6:30pm. £5.00.

Phil Davids & the Good Times Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Horace Silverman & the White Gardenias - The Corner House, Heaton, Newcastle NE6 5RP. Tel: 0191 265 9602. 7:30pm. £7.50.

Baghdaddies - Cobalt Studios, Boyd St., Newcastle NE2 1AP. 8:30pm. £12.00. + £1.38. bf.

Strictly Speakeasy - St Mary’s Heritage Centre, Oakwellgate, Gateshead NE8 2AU. Tel: 0191 433 4699. 7:00pm. £20.00. Lindy jazz ‘Snow Ball.

Cozyjo - Washington Arts Centre, Biddick Lane, Washington NE38 8AB. Tel: 0191 561 3455. 7:00pm. £6.00. (£4.00. concs.). City of Sunderland Youth Jazz Orchestra (Cozyjo) Christmas Cracker.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, March 13, 2018

CD Review: Owen Broder - Heritage

Owen Broder (alto/tenor/baritone); Sarah Caswell (violin); Scott Wendholt (trumpet/flugel); Nick Finzer (trombone); James Shipp (vibes/perc); Frank Kimbrough (piano); Jay Anderson (bass); Matt Wilson (drums); Wendy Gilles, Kate McGarry, Vuyo Satashe (vocals).
(Review by Lance).
As the name implies, Heritage is saxophonist/composer Broder's exploration of American roots music from Appalachian folk to early blues, spirituals to bluegrass, carefully weaving the elements into another distinctly American musical tradition - jazz.
The album kicks off with Broder's own Appalachian inspired Goin' Up Home with solos by Shipp and Finzer. The latter managing to slot the well known Milt Bernhardt phrase from Kenton's Peanut Vendor into his trombone solo.
Tokyo-born Miho Hazama provided Wherever the Road Leads which gave space for some fine alto playing from Broder, Finzer sans Bernhardt and some country fiddling from Sarah Caswell. An improvised hoedown in them there hills.

Sarah fiddled whilst serving the Jambalaya à la Bill Holman. Holman said: "I picked Jambalaya for its simple melody and harmony, which left space for me to do what arrangers do." It also left space for Wendholt to get some Miles in. Broder added: "This swinging re-imagination of the Cajun tune has closer ties to Birth of the Cool than the streets of New Orleans".
Jim McNeely arranged Cripple Creek drawing parallels with Jazz and Bluegrass. Trumpet, tenor, trombone and fiddle affect the merger of the genres and there ain't a banjo closer than you could throw one. A rousing Dixieland ride-out with some tailgating from Finzer.
Wayfaring Stranger takes me back to my pre-jazz days and a Burl Ives'78'. This Ryan Truesdale arrangement bears little resemblance to the Burl Ives version (or, indeed, Truesdale's Gil Evans' Project). McGarry, Gilles and Sotashe provide words to this bleak landscape that is only made tolerable by Jay Anderson's bass solo.
I'm Not Afraid to Die, a Hazama arrangement of a composition by Gillian Welch, showcases Kimbrough on piano and a mellow flugel solo by Wendholt.
Brodeo, composer Truesdale, captures the atmosphere of the rodeo with the bluegrass and the jazz played out by Caswell and Broder. Wilson's drums perhaps represent the bucking broncos - no, I'm not swearing!
The People Could Fly. Alfonso Horne's piece tells of an African tribe who could fly. They were taken into Slavery and shipped to America where all but one forgot how to fly. That one ancient reminded them how to fly and they flew away to safety. On the album, it is Finzer who flies with down-home earthy plungering. Satashe chants Karuka which means 'to fly'.
Broder wrote A Wiser Man Than me as a New Orleans dirge that allows the group to improvise freely. Broder blows baritone. Classic blues.
An interesting album that grows upon repeated listening.
Lance.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance