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Bebop Spoken There

Buddy Guy: "My mother said, 'You got flowers for me, give 'em to me now, because I'm not going to smell them when you put 'em on the casket'." - (DownBeat September 2018).

Marty Ashby: "I asked him what his gig was and he said 'I put the scores on the music stands'. I said, 'That's a gig?' And I realised there were four floors of guys like him, who supported some of the finest musicians in the world. But I was a jazz musician, and I was used to playing with some of the finest musicians in the world in front of the New York Public Library for tips. That's when I realised that jazz didn't have the same support system as classical music. - (DownBeat September 2018).

Today Tuesday August 14

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, February 13, 2018

John Pope Quintet @ Gosforth Jazz Club - Feb 8

Faye MacCalman (tenor saxophone, clarinet); Jamie Stockbridge (alto saxophone); Graham Hardy (trumpet); John Pope (double bass) & Johnny Hunter (drums)
(Review by Russell/Photo courtesy of Ken Drew)
Gosforth Civic Theatre, formerly Gosforth Civic Hall, is home to the recently established Gosforth Jazz Club. Audience numbers have been encouraging and the turn out for this latest concert was heartening given that it was a cold winter’s evening. The band – the John Pope Quintet – elected
to play on the floor of the auditorium. This was a good move as the musicians were that bit closer with the stage concealed behind a red curtain.
Tyneside based John Pope recently assembled a quintet to play his compositions and one or two by some of the bass player’s favourite musicians. Pope and trumpeter Graham Hardy engaged in an opening dialogue gradually drip feeding the quintet’s other members into the developing drama.
Those other members included alto saxophonist Jamie Stockbridge of Taupe fame who, during the evening, made a great impression on those hearing him for the first time initially tearing up Ornette Coleman then going on to take no prisoners across the two sets.

Trumpeter Hardy pulled a pocket trumpet from his pocket. In truth he picked it up from the floor and surprise, surprise, the man played it as if it was his first instrument! Perhaps it is. Bandleader Pope referenced Misha Mengelberg and Graham Collier in the same sentence as the quintet set about a Mengelberg-inspired improvisation of JP’s titled Misha a Miner.
Faye MacCalman switched from tenor sax to clarinet as the band dug back ninety years to perform a selection from Kurt Weill’s Threepenny Opera with the ensemble moving seamlessly from free to structured bop-like swing sections and back again. A Pope original titled Pleato for no other reason than the composer liked the word rocked out with drummer Johnny Hunter taking it out. A Spanish or Latin feel developed out of a bass and drums improvised opening to Pope’s Ancestor with Hardy nailing an extended section on pocket trumpet. The evening drew to a close with In Heaven, a tune Pope first heard listening to American alt-rock band Pixies which was used on a soundtrack by filmmaker David Lynch. It will be interesting to see what John Pope the composer comes up with next.    Russell
Ken Drew photo album.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
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