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Bebop Spoken There

Andrew Hadro: "It seems to me that everybody just puts out an album, they go through the motions, spend the money and they just sort of throw it out there into the sea of CDs and hope something comes back" - (DownBeat June 2018).

Jonnathan Blake (Blindfold Test): “Maybe it's someone from New Orleans who has lived in New York for a minute.” (DownBeat June 2018).

Today Thursday May 24

Afternoon

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 266 6173. 1:00pm. Free.

Evening

Maine St. Jazzmen - Sunniside Social Club, Holywell Lane, Sunniside, Gateshead NE16 5NJ. 8:30pm. Free.

Lambton Big Band - Prohibition Bar, Arch 3, Brandling Street, Newcastle NE8 2BA. 7:00-9:00pm. Free. Public rehearsal session.

Gabriele Heller Trio - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £5.00.

Lindsay Hannon & James Harrison - Jazz Café, Pink Lane, Newcastle NE1 5DW. Tel: 0191 222 9882. 8:00pm. Free.

Jam Session w. Stu Collingwood Trio - Engine Room, Fire Station, High Street West, Sunderland SR1 3HA. Tel: 0191 594 7241. 7:45pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Tees Hot Club w. Jeremy McMurray (keys); Kevin Eland (trumpet); Mark Toomey (alto) - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9pm. Free.

Daniel Meade - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 7:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, February 25, 2018

Customs House Big Band @ Customs House, South Shields - February 24.

(Review by Lance).
It had been some time since I last heard the CHBB during which time there’d been some changes made. Whether these were permanent or on the night deps I know not. In the sax section, Alan Marshall moved from tenor to lead alto. Former member Kim Skerritt, nee Webb, returned on second alto with another returnee, Jim McBriarty, blowing jazz tenor. The 'bones were unchanged with Kurgi-Smith handling the jazz but the trumpet section was less familiar. Bill Watson took a break from organising next weekend's Big Band Festival at Chester-le-Street to blow most of the 'hot choruses' with Riley-Gledhill chipping in with some mellow flugel.
On piano, former Early Birder Ben Lawrence made his debut with the band and the boy did good. Alan Smith was sound on bass guitar, Bradley, a mere sensation on guitar and the whole outfit driven by Barry Black and led from the front by MD Morgan who also plumbed subterranean depths on bass trombone. As always, Ruth Lambert handled the vocals in her inimitable manner. However, Ruth's contribution will be reported in a separate post by Ann Alex.
So, what did they play? The setlist below gives an idea of the diversity of the program but not the excitement generated! You'll have to take my word on that one or else catch them at Spennymoor on April 13. It will be worth the trip. If your passport is out of date then you can hear the band again next year at the Customs House on April 12, 2019.
First set: Flight of Fancy; The Count Steps Out; Round Robin; Nice Work if You Can Get It; The Man I Love; Blue Bossa; Stompin' at the Savoy; Summertime; Almost Like Being in Love; Why Musicians Can't Dance; Steppin' Out.
Second Set: In the Mood; That Warm Feeling; Basically Blues; Love is Here to Stay; Makin' Whoopee; A Few Good Men; Cute; At Last; Someone to Watch Over Me; Hallelujah I Love Her So; Blues in the Closet.
Encore: Alright, Okay, You Win.
Vocals in red.
Lance.
PS: I haven't mentioned Nelson, Kaberry, Temple, Catherall, Brocklesby and Fletcher as they didn't solo. However, their section work, along with that of Kim Skerritt, was exemplary and without them, the ship would have sunk. 
Chapeaux les tout ensemble.
Bob Temple, Paul Riley-Gledhill, Alan Catherall, Bill Watson (trumpets); Dave Brocklesby, Chris Kurgi-Smith, Michael Fletcher, (trombones); Peter Morgan (bass trombone/MD); Alan Marshall (alto/soprano); Kim Skerritt (alto); Jim McBriarty, Gillian Nelson (tenor); Chris Kaberry (baritone); Ben Lawrence (piano); Alan Smith (bass guitar); Bradley Johnston (guitar); Barry Black (drums); Ruth Lambert (vocals).

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Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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