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Bebop Spoken There

Oscar Peterson: "I find most pianists use too many notes in a chord. They double up an awful lot" - (Crescendo May 1963).

Benny Green (British): "...there was a whole race of men who used to stand in front of their bands, waving their arms, pretending to conduct ... Many of the bandleaders we had worked for had been either crooks or imposters ... " - (Crescendo March 1963).

Today Friday September 21

Afternoon

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Zoë Gilby Trio - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Ladies of Midnight Blue - Seven Stories, National Centre for Children's Books, Lime Street, Newcastle NE1 2PQ. Tel: 03000 3301095. 11:00am. £5.00.

Paul Edis - The Lit & Phil, Westgate Road, Newcastle NE1 1SE. Tel: 0191 232 0192. 1:00pm. £5.00. Edis, solo piano.

Evening

Ronnie Scott's All Stars - Middlesbrough Theatre, The Avenue, Linthorpe, Middlesbrough TS5 6SA. Tel: 01642 815181. 8:00pm. £22.50.

Groove-a-matics - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

George Shovlin & the Radars + Broken Levee - The Peacock, High St West, Sunderland SR1 3ES. Tel: 0191 511 1451. 7:00pm. £10.00. (+ £1.00. b/f). New blues venue.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, February 15, 2018

CD Review: John Surman Trio - Invisible Threads

John Surman (baritone/soprano/bass clarinet); Nelson Ayres (piano); Rob Waring (vibes/marimba)
(Review by Lance).
Surman at his most lyrical. With like-minded piano and vibes (or marimba) the trio weaves a musical quilt of silver and gold. Almost classical in its concept, the music flows. Despite the absence of bass and drums the trio still retains a rhythmic feel. Not immediately obvious but it's there if you listen attentively.
The improvisations aren't solos in the generally accepted format but rather logical extensions of the theme to the extent that you feel any other choice of notes would be less than perfect. Surman's tone on soprano is perhaps the purest ever heard on the instrument. Equally, he also finds a resonance in his bass clarinet playing that few others have done.
Ayres, whom Surman first encountered on a trip to Brazil where the pianist is a major figure, is as close to perfect an accompanist as Surman could wish for. An accompanist and much more. A soloist and foil intertwining with soprano making it, at times, like a Bach or a Mozart fugue.
Waring, the third man, moves deftly between the other two ensuring that the whole thing is watertight.
Initially, I felt let down by the lack of baritone playing (only two tracks) but, upon repeated playing, much as I love his baritone playing, on this album, it is the soprano sax, and to a slightly lesser extent, the bass clarinet that makes this a minor masterpiece although, having said that, the title track on which Surman blows baritone is also a thing of beauty.
Not a party album but one to be taken seriously and listened to without distraction. If you don't, you will miss so much.
Lance.
John Surman Trio - Invisible Threads is available on ECM 2588 6711317.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance