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Bebop Spoken There

Buddy Guy: "My mother said, 'You got flowers for me, give 'em to me now, because I'm not going to smell them when you put 'em on the casket'." - (DownBeat September 2018).

Marty Ashby: "I asked him what his gig was and he said 'I put the scores on the music stands'. I said, 'That's a gig?' And I realised there were four floors of guys like him, who supported some of the finest musicians in the world. But I was a jazz musician, and I was used to playing with some of the finest musicians in the world in front of the New York Public Library for tips. That's when I realised that jazz didn't have the same support system as classical music. - (DownBeat September 2018).

Today Tuesday August 14

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, February 14, 2018

CD Review: James Hall - Lattice

James Hall (trombone); Jamie Baum (flute/alto flute); Deanna Witkowski (piano/Rhodes); Tom DiCarlo (bass); Allan Mednard (drums) + Sharel Cassidy (alto on 2 tracks).
(Review by Lance).
Trombone and flute are not your usual frontline, in fact, apart from Herbie Hancock's Speak Like a Child, I can't think of another.
It doesn't matter. Even if trom/flute duos were as common as trumpet/tenor pairings this one would still stand out from the crowd. 
The two horns gel. Hall's round sound - dry but not brittle - contrasting nicely with Baum's virtuosic flights. They interweave seamlessly it's a musical marriage. And so it should be. The title track Lattice was written by Hall and is dedicated to his now wife Kristen, portraying the development of their romance.
Sharel Cassidy adds some distinctive alto to a couple of tracks providing an extra, boppier, dimension. Witkowski is another star. Whether 'comping or soloing on piano or Rhodes Witkowski is a voice to be heard. Listening to her solo on Traveler it's no surrprise to learn that she's worked with Donny McCaslin, accompanied Lizz Wright, released six albums of her own, as well as holding down the piano chair with the Jim McNeeley led BMI/New York Jazz Orchestra to mention but a few of her past achievements
DiCarlo and Mednard hold it all together with the latter also breaking out on Traveler (their spelling). All but two of the compositions are by Hall revealing a lyricism in his writing that echoes his playing.
The two non-Hall pieces are Joe Henderson's Black Narcissus and Kenny Wheeler's Kind Folk. Wheeler was artist-in-residence during Hall's time at Lawrence University in Wiisconsin.
The final track, Terrace, has Hall blowing some bluesy muted bone, Witkowski rich chords and flowing right hand, Mednard going for the jugular, the whole shebang ending abruptly and this listener shouting WOW!
As a matter of interest, Hall and Mednard met up when they were touring with Postmodern Jukebox.
If this is the calibre of guys in PJ then this Sunday's concert at Sage Gateshead is going to be something else!
Lance.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance