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Bebop Spoken There

Robert Plant: "The only reunion we [Led Zeppelin] are likely to have is in a chip shop in Camden Town" - (i July 7).

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Roland Kirk: "A person can't appreciate freedom unless he's been in prison." - (Down Beat May 18, 1967).

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

Posting a comment

If you experience any problems posting a comment, as I understand some readers are, then email it to me direct, stating which post your comment relates to - lanceliddle@gmail.com. Alternatively, try the Anonymous button but please sign your name!
Apologies for any inconvenience, this is due to circumstances beyond my control.

Today Sunday July 15

Afternoon

Cancelled

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1pm. Free.

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Wandering Loose - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Somethin’ Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 5:00pm. Tel: 01325 788564. Matt Case (saxophone) & Mike Hepple (guitar).

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Evening

BRASS Goes to Hollywood - Gala Theatre, Millennium Place, Durham DH1 1WA. Tel: 03000 266 600. 7:30pm. £18.00. (£16.00. concs.). Scottish Swing Orchestra & BRASS Hollywood Chorus. Durham Brass Festival.

Colin Aitchison - Black Bull, Bridge Street, Blaydon NE21 4JJ. 8:00pm. £5.00. Aitchison (trumpet, vocals), Franco Valussi (clarinet, vocals), Roly Veitch (guitar), Roy Cansdale (bass).

East Coast Jazz (New Jam Session) - The Exchange, Howard St., North Shields NE30 1SE. 6pm-9pm. Every third Sunday sitters in welcome. Keith Barrett (gtr); Andrew Porritt (bass); Sid White (dms).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, January 12, 2018

The Mo Scott Band @ The Globe, January 11

Mo Scott (vocals); Gary Dunn (guitar); Neil Harland (bass guitar); Paul Smith (drums)
(Review by Ann Alex)
‘Tyneside’s First Lady of the Blues’ declared the Globe publicity, and last night’s performance showed that to be undoubtedly the truth. The First Lady strutted her stuff with all the stops out. Gary on guitar did stunning solo work, Neil was the steady and strong bass, and the drums played as if there was no tomorrow. And it wasn’t just blues from this band, but rock, jazz, country, and even a touch of ska.
 Let Your Hair Down Baby demanded Mo to start the show, followed by a gutsy You Ain’t Nothing But A Hound Dog, which was far, far better than the version by Elvis, complete with canine-like wails from the guitar. I thought the guitar couldn’t get better, but it did on Fever. Then a complete change to the tenderness of Billie Holiday’s God Bless the Child, soulfully sung. It was good to hear so many songs which were either written or made famous by women, such as Nina Simone’s Don’t Let Me Be Misunderstood, and sung to a ska beat as well.  Next came Lone Star, a country song by Norah Jones, with an easy, smooth, relaxing tune. Back to the men, with B.B. King’s Never Make Your Move Too Soon and then Love Letters, first sung by Nat King Cole.  Back to blues, with a new one to me, Son House’s Don’t Mind People Grinnin’ In Your Face, and also When The Sun Rose This Morning. This last number ended the first half, so no holds were barred, ending with a last impassioned chorus from Mo.

The second half opened with a real rocker You Never can Tell. (Such a versatile band, I wonder what they’d do to the National Anthem, just a thought!) The guitar teased some interesting sounds from the electronic box attached, an intriguing squelchy sound, and deep tones, during this number, followed by a long sequence of riffs and grooves from the drums and guitar. Back to the women for Cry Myself to Sleep, a country song written by mother and daughter band Judd. Yellow Moon was feelingly sung, with stirring effects on drums. Then came Otis Redding’s (Sitting on the)  Dock Of The Bay; Love Me Like A Man; Little Winged (from the band only); Ray Charles’s Unchain My Heart; then Mo told us I Won’t Go Down That Big Road By Myself, before the final number, Rock Me Baby, which brought a great evening’s music to a more than satisfactory end.

Ann Alex

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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