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Bebop Spoken There

Don Rendell: "It was about the time that the organ-type piano attachment - the clavioline - was invented. And the poster billing at one place where we played up north announced proudly, but erroneously: "The Johnny Dankworth Seven, featuring Frank Holder and the cleolaine" " - (www.jazzprofessional.com, December 2001).

Mary Lou Williams: “...it was discovered I possessed perfect pitch. Rumour of this oddity spread throughout the school, and pupils would drop pots and pans and other loud objects, asking 'What note, Mary?' (Melody Maker, 1954).

Today Saturday May 26

Afternoon

Dave Ferra All Stars - Spanish City Plaza, Whitley Bay NE26 1BG. 3:00pm. Free. Whitley Bay Carnival. Blues band.

King Bee - Spanish City Plaza, Whitley Bay NE26 1BG. 5:00pm. Free. Whitley Bay Carnival.

Evening

Baghdaddies - Spanish City Plaza, Whitley Bay NE26 1BG. 6:00pm. Free. Whitley Bay Carnival.

Billy Bootleggers All Star Band - Billy Bootleggers, 28 Nelson Street, Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, January 30, 2018

Classic Swing @ The Ship, Monkseaton - January 30

Bob Wade (trumpet & flugelhorn); Jim McBriarty (tenor saxophone, clarinet & vocals); Gordon Solomon (trombone); Colin Haikney (piano); Bill Colledge (bass) & Tommy Graham (drums)
(Review by Russell) 
A combination of holiday commitments, the ravages of flu and the returning Jim McBriarty brought about one or two changes to the line-up at this week’s Classic Swing session in Monkseaton. The Ship on Front Street continues to do good business on a Tuesday lunchtime and it isn’t surprising given the quality of musician assembled by trumpeter Bob Wade.
Arriving at the same time as genial trumpeter Miles Watson, seats were scarce, the choice of beer Theakston’s Lightfoot, MW’s tipple a drop of the hard stuff. It Don’t Mean a Thing, Rockin’ Chair – two early opportunities for the returning Jim McBriarty to exercise the tonsils. Classic Swing’s Bob Wade lead the line with his now familiar bravura style making its mark on Swingin’ the Blues. The material more swing era than the usual mid-week Dixieland fayre on offer at other nearby coastal jazz haunts, the frontline oozed class, and relaxed with it. Either side of Wade, regular reedsman Jim McBriarty, playing tenor and clarinet and singing a few numbers, and, depping for Don Fairley, the one and only Gordon Solomon. Bebop Spoken Here’s Editor-in-Chief waxed lyrical reviewing last week’s session, delighting in the unexpected appearance of Gordon Solomon. One week on, our trombone maestro was once again to be heard playing on the session, this time as a first call dep for Don Fairley. Your reviewer is happy to confirm LL’s comments were 100% accurate. Ten years without playing a gig, then sitting-in, it was as if he’d been gigging non-stop all these years!
The first set drew to a close with Solomon’s fine playing on Just Squeeze Me, Tommy Graham’s delicate brushwork and some flugelhorn from Wade, followed by Perdido.

Second set drummer Graham blazed a trail on Caravan, the boys cooled down on Up a Lazy River and McBriarty sang I’m Beginning to See the Light. The frontline went to the bar leaving the stage to pianist Colin Haikney and his rhythm section partners Bill Colledge, bass, and Graham. Haikney played a request – Take the A Train…a good choice. The afternoon’s penultimate number proved to be the highlight – Jim McBriarty singing I’m Confessin’ with marvellous solos by Solomon and Haikney. Bob Wade brought matters to a close with a rousing take on Indiana
Russell.           

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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