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Bebop Spoken There

Jeremy Pelt: "In my experience, the hottest player on the scene is almost always the most annoying motherfucker on the scene because they know that they're hot." - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Sunday May 19

Afternoon

Jazz

Anth Purdy: Swing Jazz Guitar - Blyth Battery, The Links, Blyth NE24 3PQ. 10:00am-4:00pm. Free. 'Blyth Battery Goes to War Weekend'.

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm (doors 12 noon). Free.

Alice Grace & Ben Helm - Bonbar, Fenkle St., Newcastle NE1 5XU. Tel: 0191 232 8695. 1:30pm.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free. Jam session with house trio (James Harrison, piano).

Blues

Memphis Cruisers - Billy Bootleggers, Nelson St., Newcastle NE1 5AN. 3:00pm. Free.

Archie Brown & the Young Bucks - The Schooner, South Shore Road, Gateshead NE8 3AF. 5:00pm. Free.

Evening

Jazz

Sue Ferris Quintet - Black Bull, Bridge St., Blaydon NE21 4JJ. Tel: 0191 414 2846. 7:30pm. £7.00. Blaydon Jazz Club.

Philip Clouts Quartet - The Globe, Railway St., Newcastle NE4 7AD. 7:30pm. £10.00 (£7.00 student).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, January 22, 2018

CD Review: Melody Gardot - Live In Europe

(Review by Ann Alex)
An album of live recordings which our singer and her band did in various cities in Europe, during the period 2012-2016. Ms Gardot explains that she originally thought she would choose the best tracks she could find, but then she decided it should rather be ‘a postcard from our tours of Europe’ giving ‘the feeling, the nostalgia, the memory’ of performances, and be a gift to herself as well as to the listener.
The information is taken from the website, www.melodygardot.co.uk.  and there are no lists of musicians. The songs appear to be originals, except for Over the Rainbow, mostly love songs, and Ms Gardot’s style leans towards cabaret, with something subtly French about the singing, which is often quiet, intimate, breathless, almost muttered. Listeners need to hear the songs a few times to fully appreciate the artistry. I estimate the instruments involved to be guitar, keys, saxes, (some tracks) strings, clarinet, flute, drums, and some delightful cello and very skilled double bass, which often introduces each song.
The cities visited include Paris, Bergen, Lisbon, London, Zurich, Frankfurt, Amsterdam, Barcelona, and Utrecht. The Rain (Bergen) is highly descriptive, with long, lowering guitar chords, crashing piano chords, a strong jazz tune from saxes, and a bass solo, signifying ‘goodbye’ to a lover. Our Love Is Easy is a flowing tune, sung with breathless intimacy. Deep Within the Corners of My Mind is a song of longing with string accompaniment. From Lisbon, we hear a Latin number with percussion, clarinet and flute, and singing in Portuguese (I think). Other titles include Baby I’m A Fool; So Long; My One and Only Thrill; Les Etoiles; Goodbye. The album is rounded off with a long track, March for Mingus, which includes most of the instruments giving us a strong jazz tune, saxes in harmony, eastern type vocals, then a final band mash up with a gospel song.
I found this to be a quite listenable CD but maybe something of an acquired taste, and I’m not sure whether I would eventually acquire that taste or not. It is available as a double CD or a triple vinyl LP.
Ann Alex
PS: It’s almost 10 years since the start of BSH, so it seems like a good time to acknowledge a debt that I owe to Lance. I first met Lance when we were both members of a writers’ group in South Shields, in about 2003. (Lance writes a mean crime story, did you know?)  And since I’ve been encouraged to do reviews, it’s made me a bit more fluent with other writing, as writing is like a muscle, use it or lose it. So I’m grateful to Lance that I’m writing other stuff besides reviews, such as a few folk influenced songs. And then there’s the other debt to Lance, the £20 I owe him from when we recently shared a taxi from the Globe. Coming up soon Lance!
(In a perfect world I’d say ‘Forget the £20’ … in a perfect world - Lance)

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