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Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

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Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

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Voting is now taking place for Nominations in the All Party Parliamentary Jazz Awards. Please take this opportunity to vote in the various categories including MEDIA where a vote for Bebop Spoken Here would be much appreciated.

Today Thursday June 21

Afternoon

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 266 6173. 1:00pm. Free.

Evening

Maine St. Jazzmen - Sunniside Social Club, Holywell Lane, Sunniside, Gateshead NE16 5NJ. 8:30pm. Free.

Indigo Jazz Voices - The Globe, 11 Railway Street, Newcastle NE4 7AD. 7:30pm. £5.00.

Lambton Little Band - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. 7:00pm. Free. Rehearsal session.

Lindsay Hannon Plus - St James’ & St Basil’s Church, Fenham, Newcastle NE4 9EJ. 7:30pm. £10.00.

Charlotte Glasson Group - Jazz Café, Pink Lane, Newcastle NE1 5DW. Tel: 0191 222 9882. 8:00pm. £10.00. (£8.00. concs.). JNE.

Get in the Band rehearsal - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4666. 6:00-10:00pm. Second of two rehearsals under the direction of Chris Sharkey culminating in three performances in a day on Sat 23 June - 1) Great North Museum (Hancock Museum), 2) Central Station, 3) Sage Gateshead. Times TBC. Free but ticketed.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Tees Hot Club w. Ray Dales (alto); Dave Stansfield (tenor); Bruce Taylor (keys) - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9pm. Free.

Jazz Jam - Fire Station, High Street West, Sunderland SR1 3DT. Tel: 0191 594 7241. 8pm. Free.

Billy's Buskers: Plug in and Play - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 7:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, December 08, 2017

The Zoe Gilby University Group - “Constellation Jam" @ Jazz Café - December 1

Zoë Gilby (Mentor and Vocals) / Grace Alexander (Keyboard) / Ross Barnes (Bass) / Oliver Cobb (Guitar) / Amber Cox (Vocals) / Will Earl (Drums & Percussion) / Chris McMahon (Drums & Percussion)
 (Review/photos by Ken Drew)
“For the past four weeks, vocalist and songwriter Zoë Gilby has been running a series of workshops for the postgraduate music students of Newcastle University, culminating in this final performance for the students "History of Jazz" module.  Also, as part of Jazz North East’s ‘Women Make Music' series, this composition Constellation Jam illustrates the evolving nature of jazz.  Accepting no boundaries, the constant progression of this particular genre of music has entertained and inspired modern popular music and beyond.  The concept of this piece highlights the importance and integral need for jazz to be always changing. Often not to everyone’s taste, but never compromising, always a curious adventure.”
Not only was this the first performance of this piece, they were being videoed too. Also, the young performers were being assessed as part of their degree course as they played!   Over four workshop sessions with Gilby, in as many weeks, they wrote this piece about the history and evolution of Jazz.  Starting straight in with a song led by Cox which developed nicely with Earl and McMahon providing the rhythm and Barnes solidly on bass.  This was an intriguingly catchy tune, simple but very effective, giving quite a powerful start.  Then into a slower section of improvised vocalese with Gilby leading and bringing out the improvised nature of the piece. It soon became apparent that there were several sections to this single piece, so, many segues ensued, including some vocalese from Gilby.

Then a long section of keys (Alexander) and guitar (Cobb) followed by percussion, building to a crescendo with all, then onto a gentle, quiet song eventually building to its own crescendo. This then segued into a sole percussion section (notwithstanding the vocal contributions from Gilby and Cox). The final section was a good combination of improvisation including spoken word which gave quite a contemporary urban feel to the piece, slowing down and finally fading to a close.

Overall, there seemed to be a good level of improvisation during the piece, with a well-composed structure, and a nice ‘feel’ to it throughout.  The six music students worked hard, concentrating even harder and working well together as the piece progressed. Their leader/mentor was always there to guide, occasionally leading, but always inspirational. It would have been interesting to have been at the four workshop sessions which led to this performance just to see how the individuals, the group overall and the final composition had developed. But their live performance was fine and well appreciated by the audience.  Possibly two small things to comment on. The sound balance across the band could have been a little better, although I don’t think we missed anything. And maybe each performer could, in general, have given a bit more dynamic expression to give a bigger impact to their contribution and to the overall sound of the piece.  Maybe this translates to playing to the audience rather than across the stage.  Still, what a terrific 45-minute uninterrupted piece, and all their own work!!!

Afterthought:   This long piece made a big impact, and is worthy of being heard again. Hopefully, it will. And given that these young players are still on their Uni music course, this could perhaps be quickly followed by a day in the recording studio to give them the experience too of producing their very own CD. Just sayin’.  Hopefully, it could happen!
Ken

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
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Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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