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Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

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Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

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Today Thursday June 21

Afternoon

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 266 6173. 1:00pm. Free.

Evening

Maine St. Jazzmen - Sunniside Social Club, Holywell Lane, Sunniside, Gateshead NE16 5NJ. 8:30pm. Free.

Indigo Jazz Voices - The Globe, 11 Railway Street, Newcastle NE4 7AD. 7:30pm. £5.00.

Lambton Little Band - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. 7:00pm. Free. Rehearsal session.

Lindsay Hannon Plus - St James’ & St Basil’s Church, Fenham, Newcastle NE4 9EJ. 7:30pm. £10.00.

Charlotte Glasson Group - Jazz Café, Pink Lane, Newcastle NE1 5DW. Tel: 0191 222 9882. 8:00pm. £10.00. (£8.00. concs.). JNE.

Get in the Band rehearsal - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4666. 6:00-10:00pm. Second of two rehearsals under the direction of Chris Sharkey culminating in three performances in a day on Sat 23 June - 1) Great North Museum (Hancock Museum), 2) Central Station, 3) Sage Gateshead. Times TBC. Free but ticketed.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Tees Hot Club w. Ray Dales (alto); Dave Stansfield (tenor); Bruce Taylor (keys) - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9pm. Free.

Jazz Jam - Fire Station, High Street West, Sunderland SR1 3DT. Tel: 0191 594 7241. 8pm. Free.

Billy's Buskers: Plug in and Play - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 7:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, December 05, 2017

KAPOK @ Jazz Café - November 28

Morris Kliphuis (French Horn, cornet, synth), Timon Koomen (guitars), Remco Menting (percussion, vibraphone)
(Review/photos by Ken Drew) 
Kapok has an unusual line-up for a trio playing jazz. They have a principal line-up of French horn, guitar and drums, but with the addition of synth, vibraphone and second guitar.
The Dutch band are on a 5 venue tour of the UK, and Newcastle (JNE) was 4th on the tour. Formed in 2011 they soon established themselves as one of the most original and exciting live bands in the Netherlands the through their stylistic versatility.  Jazz is at the heart of everything they do, but their performances segue seamlessly through indie, metal, hip-hop and Americana.

Horn player Morris Kliphuis, guitarist Timon Koomen and drummer Remco Menting last year decided to change their sound. They felt that the chemistry between the trio worked well, so they didn’t add extra musicians but decided instead to add extra instruments. Menting acquired a vibraphone, Koomen brought in a baritone guitar and Kliphuis added synthesiser to his horn and cornet.  Having recently explored new approaches, they build around long mesmerising lines, unusual sound combinations, and the subtle use of electronics to broaden the palette – all of this and more being evident tonight.

The first set was a revelation to first-time listeners of the band, like myself. First tune had such a quiet introduction with perfect harmonies from each player, and a nice melody initially on guitar to introduce the piece, passing over to synth, then cornet (Kliphuis on both) using a subtle and perfectly placed FX (echo) to complete the picture.  All three weaving in and out of the melody, along with sound bytes and improvised segments, and Menting initially on vibes moved onto drums for a brief solo percussion part.  Kliphuis moving again from keys to cornet then onto French horn which took the lead. Then a breakout section - very rhythmic drumming increasing in intensity with guitar & synth not far behind and ending with Koomen’s solo. 30 minutes for the first piece! What an introduction by the band - full of dynamics, prepared riffs and melodies, and a fair sprinkling of improv too. 
Next a gentler piece but with more improvisation. French horn intro leading to guitar solo with a gentle accompaniment from Menting. Then a gentle duo section with French horn and guitar with percussion eventually making his presence known through the sounds of running water (shells on drums) - which were chillingly realistic!  French horn now prominent, using FX to produce a higher register 'organ pipe' sound but still to the underlying sound of running water.  Then with the French horn centre stage, becomes increasingly bluesy, leading to cornet and then Menting on vibes to close the piece. What a superb combination of sounds!

After a short interval came The Missing Link - an early piece which came together nicely in the bands early formation, and was recorded on their first album with a Dutch string quartet
A nice long tune with good interaction between French horn and guitar plus lively drums!   Then a change -  a tune with a groove!  Initially, a French horn solo (played with FX, reminding me of Dennis Rollins' lively t-bone sound, despite it coming from a French horn), adding guitar, then into an improvised section followed by guitar focussing on the groove to the end.

Then the third tune, with guitar introduction accompanied by vibes (bowed and struck) revealing a simple but effectively beguiling soundscape. Then in time, slowly fading back into the rhythmic introduction - with a jaunty tune on French horn. Nice!  And finally, the last piece Ho Hop - another enjoyable piece with a groove.  Rapturous applause led to an encore.  A fast-paced tune, lively & bouncy with main tune led by Kliphuis on French Horn, leading to a tour de force from Menting on drums. Great ending!!  Their enthusiasm and dedication on stage is rewarded by excitement and appreciation in the audience.

Overall.  These young musicians really know their instruments and exactly how they want to sound, moving effortlessly between written and improvised sections, covering a nice range of styles and moods too.  The performance was thoroughly enjoyed by the audience, including two passers-by who chanced taking a seat for the second set, and left uplifted, singing (almost) the praises of this remarkable young band. 

Ken.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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