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Bebop Spoken There

Kathyrn Williams: “I got into Miles Davis when I was a teenager. But I’m nowhere near as knowledgeable as Anthony [Kerr]: he is an encyclopedia of jazz, with a real in-depth, academic knowledge. I’m just a fan.” – (Jazz Journal December 2017).

Christian McBride: "He [Horace Silver] was the whole package" – (Downbeat September 2014).

Today Wednesday January 17

Afternoon

Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.

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Evening

Billy's Acoustic Blues - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free (weekly).

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 8:00pm. £1.00.

The Village Hall New Orleans Band - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:15pm £3.00.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, December 13, 2017

CD Review: Hugh Masekela – Sixty/Black to the Future/Notes of Life

(Review by Russell)
This three-CD release features Hugh Masekela’s music recorded during the mid to late 1990s. The anti-apartheid movement’s success in securing the release of Nelson Mandela encouraged a three decades’ exiled Masekela to return to South Africa and these albums on Floating World Records, a London-based specialist reissue label, represent an upbeat, celebratory period in a long recording career.
Trumpet, flugelhorn and vocals, composer Hugh Masekela has experienced chart-topping success, the highs of festival and stadium concert performances and a determined life-long political activism. Sixty comprises thirteen tracks; Fela is dedicated to the late Fela Kuti, musician, and fellow political activist. Township and Afrobeat are the life-affirming sounds permeating this and the majority of the thirty-six tracks across the three albums. It would appear that Masekela plays flugelhorn exclusively with the trumpet parts on Black to the Future played by Prince Lengosa – Chileshe and Excuse Me Baby feature Lengosa, Khaya Mahlangu, tenor saxophone, and Jasper Cook, trombone, alongside Masekela’s flugelhorn and vocals.
On several tracks Don Laka is listed as playing ‘all other instruments’ thus identifying him as pianist on several otherwise un-credited piano contributions. Bokone closes Black to the Future seemingly without Masekela, but with effective guitar contributions from Kenny Mathaba and John Selolwane.

The third album – Notes of Life was actually the first of the three to be recorded and it has a soul-jazz feel to it with its soft-focus backing vocals and synth keyboard sounds. Bassist Trevor Gordon, one of four heard on this disc, restrains his fretless jazz bass inclinations on Moments of Love, fine collective vocals take centre stage on Father of Our Nation (comp. H Masekela/Cedric Samson) in praise of Mandela - ‘father of our freedom’ they sing, and the all-too-short salute to Mandela Thank You Madiba brings to a close almost three hours playing time of the music of Hugh Masekela.     
Russell
Sixty/Black to the Future/Notes of Life is available now. 
Visit: www.floatingworldrecords.co.uk               

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
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Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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