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Bebop Spoken There

Buddy Guy: "My mother said, 'You got flowers for me, give 'em to me now, because I'm not going to smell them when you put 'em on the casket'." - (DownBeat September 2018).

Marty Ashby: "I asked him what his gig was and he said 'I put the scores on the music stands'. I said, 'That's a gig?' And I realised there were four floors of guys like him, who supported some of the finest musicians in the world. But I was a jazz musician, and I was used to playing with some of the finest musicians in the world in front of the New York Public Library for tips. That's when I realised that jazz didn't have the same support system as classical music. - (DownBeat September 2018).

Today Tuesday August 14

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, November 01, 2017

Lindsay Hannon Plus ‘Make Dark Heaven Light’ album launch @ The Lit &Phil October 28

Lindsay Hannon (vocals); Mark Williams (guitar); John Pope (bass); Russ Morgan (drums)
(Review by Steve H/Photos courtesy of Ken Drew) 
The Lit and Phil once again played host to a Lindsay Hannon Plus album launch. Personnel changes from the first album saw Russ Morgan on drums replace Tom Chapman whilst James Harrison was replaced by guitarist Mark Williams. The ever-present John Pope on double bass displayed his loyalty by sporting the same shade hair colour as the band leader.

A short set of old favourites: a couple of Joni Mitchell tunes (Hissing of Summer LawnsMain Street),  a Pat Metheny number and Monk’s In Walked Bud got the capacity audience nicely warmed up. The second set saw the unveiling of songs from the new album. Three moving, autobiographical, originals: Everyone, Maths & Morning Revisited (lyrics by Hannon, music by Williams) got things underway. The mood didn’t really get any lighter as versions of Miss Otis Regrets and Robert Wyatt’s Sea Song followed.
Back to back Romeo songs proved not to be the tragedy the Shakespeare might have intended as Mark Knoffler’s Romeo and Juliet was succeeded by Tom Wait’s Romeo Lies Bleeding with great aplomb. The setlist might give the impression that anyone not in tears by the end of the evening was a cruel and heartless misanthrope but nothing could be further from the truth since the quality of both material and performance couldn’t fail to entertain.
The band was remarkably slick almost too slick for my liking. Mark Williams is a great guitarist but I felt he was a little bit too confined in this format and therefore not really given the room to produce his customary explosive solos.  
I am not quite sure why the Lit and Phil was selected by JNE for this launch given that the grand piano lay untouched in a corner of the room. A more club-like venue with softer lighting would have been far better suited to the sultry soulful style that singer Hannon so brilliantly purveys.
The evening concluded with Carlos Jobim’s cheerful upbeat number No More Blues featuring some great work on drums from Russ Morgan. A fitting and joyful ending to a hugely successful evening but you don’t have to take my word for it buy the CD  and you too can experience ‘earth treading stars that make dark heaven light’.

Steve H

1 comment :

Jazz Coop said...

All four of them were indeed 'earth treading stars' that night, and the emotional impact at the end of this superb gig was definitely 'such sweet sorrow'.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
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