Total Pageviews

Bebop Spoken There

Robert Plant: "The only reunion we [Led Zeppelin] are likely to have is in a chip shop in Camden Town" - (i July 7).

-----

Roland Kirk: "A person can't appreciate freedom unless he's been in prison." - (Down Beat May 18, 1967).

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

Posting a comment

If you experience any problems posting a comment, as I understand some readers are, then email it to me direct, stating which post your comment relates to - lanceliddle@gmail.com. Alternatively, try the Anonymous button but please sign your name!
Apologies for any inconvenience, this is due to circumstances beyond my control.

Today Sunday July 15

Afternoon

Cancelled

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1pm. Free.

-----

Wandering Loose - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Somethin’ Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 5:00pm. Tel: 01325 788564. Matt Case (saxophone) & Mike Hepple (guitar).

-----

Evening

BRASS Goes to Hollywood - Gala Theatre, Millennium Place, Durham DH1 1WA. Tel: 03000 266 600. 7:30pm. £18.00. (£16.00. concs.). Scottish Swing Orchestra & BRASS Hollywood Chorus. Durham Brass Festival.

Colin Aitchison - Black Bull, Bridge Street, Blaydon NE21 4JJ. 8:00pm. £5.00. Aitchison (trumpet, vocals), Franco Valussi (clarinet, vocals), Roly Veitch (guitar), Roy Cansdale (bass).

East Coast Jazz (New Jam Session) - The Exchange, Howard St., North Shields NE30 1SE. 6pm-9pm. Every third Sunday sitters in welcome. Keith Barrett (gtr); Andrew Porritt (bass); Sid White (dms).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, November 24, 2017

Group Theory @ The Jazz Co-op, The Globe, Newcastle - November 23

Dan Garel (alto saxophone); Tom Burgess (guitar); Dylan Purches (bass) & Tristan Bacon (drums)
(Review by Russell)
Group Theory emerged from a jazz hothouse in the heart of Durham city. Durham University and the ever quirky Empty Shop on Framwellgate Bridge are key elements in a burgeoning jazz scene to be found, and heard, in Dunelm House (Students’ Union), the Music Department up on Palace Green, the Gala Theatre, the county-wide Brass Festival, and the new Durham Jazz Festival with its many unusual venues which in its first year included a gig in a barber’s shop.
Earlier this year Group Theory played a superb gig at Newcastle’s Jazz Café and the opportunity to hear the quartet again just along the road at the Jazz Co-op was too good to pass up. Dan Garel is no stranger to the Jazz Café’s bi-monthly jam session and here at the Globe on Railway Street the alto saxophonist (and Group Theory’s composer) played two sets in the company of his old mate, Durham University Big Band drummer, Tristan Bacon, bassist Dylan Purches, and debutant Gibson guitar playing Tom Burgess.

The quartet’s setlist comprised the familiar – Garel’s compositions and a few standards. The select audience observed that Group Theory adhered to the ‘solo-head-solo-fours’ formula, but of interest beyond such strictures were Garel’s razor-sharp alto and Bacon’s frequent injection of hip-hop and drum ’n’ bass grooves. Symmetries (comp. D Garel) and Pumpkin Vermicelli (comp. D Garel) were in the set list earlier in the year and it was great to hear them again. New boy Tom Burgess played the gig seated, without a pick, studious rather than demonstrative. It would appear Tom has rapidly got his head around Dan’s compositional ideas, and perched (no pun intended) on a high bar stool,  bassist Dylan Purches played it straight down the line, unperturbed by Dan’s coruscating alto solos fizzing around the room.          

Garel’s ballad Signal Hill featured Bacon’s sustained brush work and fluent improvisation from the impressive Burgess. The quartet’s senior members, Garel and Bacon, brought in Stella by Starlight ahead of an insistent, urgent alto solo. A short interval, time enough to get to the bar, the choice an easy one; Another bottle of Black Sheep, Keith, thanks.

A new Garel tune with the working title Modal Composition resumed matters, Burgess hitting on a motif, then our altoist taking off once again. A new one, Circling Hours, then the familiar two-mallet, oh-so-slow number, Eight Weeks. Garel likes to play Have You Met Miss Jones? (Bacon doesn’t!), they played it, great stuff! To close this Jazz Co-op engagement, a ‘free groove’ number, possibly titled Free Groove. A slow fuse burner, Burgess impressed, likewise the quartet. Group Theory can be heard again early in the new year at the Jazz Café. Recommended.
Russell                                      

No comments :

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!