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Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

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Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

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Today Sunday June 17

Afternoon

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1pm. Free.

Get in the Band rehearsal - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4666. 10:00am-6:00pm. First of two rehearsals under the direction of Chris Sharkey (second rehearsal Thurs 21 June, 6:00-10.00.pm) culminating in three performances in a day on Sat 23 June - 1) Great North Museum (Hancock Museum), 2) Central Station, 3) Sage Gateshead. Times TBC. Free but ticketed.

Big Gig in the Park: Durham Music Service Ensembles - South Park, Parkside, Darlington DL1 5TG. 12 noon.

Alice Grace & Ben Helm - Bonbar, Fenkle Street, Newcastle NE1 5XU. 1:30pm. Diners’ gig.

Somethin’ Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 5:00pm. Tel: 01325 788564. Matt Case (saxophone) & Mike Hepple (guitar).

Sour Mash Trio - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Mark Williams & Joel Byrne-McCullough - Black Bull, Bridge Street, Blaydon NE21 4JJ. 8:00pm. £5.00.

Jazz Jam - Head of Steam, Reform Place, Durham DH1 4RZ. 7:30pm. Free. Durham University Jazz Society. Last one before the Summer recess.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, November 06, 2017

CD Review: Sinne Eeg - Dreams

Sinne Eeg (vocal); Jacob Christoffersen (piano); Larry Koonse (guitar); Scott Colley (bass); Joey Baron (drums).
(Review by Lance).
Considered the pre-eminent jazz vocalist in Scandinavia, Danish singer Eeg and fellow Dane Christoffersen touched down in Brooklyn and teamed up with three top names on the American jazz scene to record an album that will serve well her ambition to achieve wider recognition on the world stage - a stage that's already overcrowded with female voices. 
Nevertheless, Eeg has the voice for it. Swings lightly, scats gently, takes liberties with the melody, but no more than say Anita O'Day or Sarah Vaughan did and, on top of that, she wrote 6 of the 10 songs, one in cahoots with Mads Mathias - Head Over High Heels. There's also a couple of Cole Porter's (What is This Thing Called Love? & Anything Goes), Rodgers and Hart (Falling in Love With Love) and De Paul and Raye chip in with I'll Remember April. Eeg's songs hold up well alongside those by these GASBOOK GANG heavies.
Aleppo is perhaps the most poignant song I've ever heard. Recent events in Syria provide the background - no! the foreground - to this heartrending saga of man's inhumanity to man and the devastating effect on children unable to comprehend the world they've been born in to. Just as Strange Fruit was, back in the 1930s, Aleppo is as much a social commentary as it is a song. I'm fighting back the tears as I type. (See video below).
I'll Remember April lightens the gloom with some relaxed scatting and Larry Koonse contributes a delicate solo.
Anything Goes swings along with nice piano by Christoffersen, more scatting and some new lyrics by the singer:
There was a time when talent mattered 
when singers were being flattered 
on TV shows, 
now anything goes.
And so on...Take it from me - talent matters here and Sinne Eeg has it in abundance.
Available December 1 on Stunt STUCD17112 with UK distribution by Discovery.
Samples.
Lance.
Video.

6 comments :

Holly Cooper (on F/b). said...

Thank you, Lance! Beautiful review, and I agree about Aleppo's poignancy.

Ann Alex said...

Lance, I want to take issue with you over the issue of female voices, otherwise women singers. Why are there too many? Surely the more the merrier. It seems to me that there are loads of sax players, but I would never say too many, and neither would you, so why pick on women singers?

Russell said...

Ann, female voices are 'ten-a-penny'. This shouldn't be read as a criticism, merely an observation. There are relatively few male singers. One could ask the question: Why is this? But a much more interesting question is: Why are there so few female instrumentalists? Look no further than sexism.

Anonymous said...

Russell I think the phrase 'ten a penny' does sound like a criticism, quite a put down. I think there are more women singers for reasons to do with the history of jazz. I wish there were more male singers and more women instrumentalists and you are right that it's possibly to do with sexism. Ann

Russell said...

Ann, tenor players (invariably male), are 'ten-a-penny'. That isn't a put down. More male vocalists? I agree, that would be great but don't hold your breath, sexist stereotypical roles will prevail for sometime yet.

Lance said...

I've just added the Aleppo video which transcends the other comments.

Blog Archive

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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