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Bebop Spoken There

Buddy Guy: "My mother said, 'You got flowers for me, give 'em to me now, because I'm not going to smell them when you put 'em on the casket'." - (DownBeat September 2018).

Marty Ashby: "I asked him what his gig was and he said 'I put the scores on the music stands'. I said, 'That's a gig?' And I realised there were four floors of guys like him, who supported some of the finest musicians in the world. But I was a jazz musician, and I was used to playing with some of the finest musicians in the world in front of the New York Public Library for tips. That's when I realised that jazz didn't have the same support system as classical music. - (DownBeat September 2018).

Today Tuesday August 14

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, November 07, 2017

CD Review: Alex Weitz - Luma

Alex Weitz (tenor); Tal Cohen (piano); Ben Tiberio (bass); Michael Piolet (drums).
(Review by Lance).
I'm not going to claim that this is the Album of the Year - how could I when there are so many?
Nevertheless, it will certainly be a lot nearer than the top than the bottom.
It's an honest album, by which I mean it doesn't hide behind any bizarre electronics and, to my ears, non-musical effects. Instead, we have hard swinging post-bop tenor contrasting with Debussy/Delius-like musical reveries that may hark back to Weitz's early days with the Tucson Jazz Institute Ellington Band where he versed himself in the music of Duke and Basie.

Fast forward to today and, although that foundation is built-in he's also built upon it. The great tenor players such as Griffin, Mobley, Getz, Jimmy Heath, Joe Henderson, Coltrane, and others have also left their mark from which Weitz has emerged as his own man. Not just a driving force but also a tender balladeer and composer. No pet shop fires here just a man laying his cards on the table and showing a full house.
Weitz may have composed and arranged all 9 tracks but he's not the only one to catch the ear. Pianist Cohen is as sympathetic a pianist as Weitz could wish for and, when he's let loose, he goes for broke. Tiberio holds it all together as a good bassist should whilst Piolet knows just when to put the boot in which is quite often.
Weitz received DownBeat's Outstanding Undergraduate Soloist award in 2013, as well as recognition from ASCAP as an outstanding young jazz composer. Methinks that in the future there will be more awards from DownBeat.
If not, I'll cancel my subscription and buy the NME.
Lance.

1 comment :

Christoph Büch said...

Hi Lance, quite a convincing review. I`m also a fan of the pure stuff. So, I probably gonna get me "Luna". Thank`s for the tip.
By the way, do you know Dudley Owens Aaron Wright Band "People Calling" (Origin 2012).
Should meet your taste, wonderful sax-blowing and a very warm acoustic sound. Sounds even a bit (of course only a bit ..) like "A Love Supreme". Give it a try!
Greetings from Berlin
Christoph

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance