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Bebop Spoken There

Camille Thurman: "Their [Tia Fuller & Mimi Jones] advice? If you're going to sing and play, be great at both or don't bother." - (DownBeat November 2018).

Greg Fishman: "I've loved playing music since I was 12, practising 8 hours a day, because I loved doing it every minute." - (DownBeat November 2018.)

Today Wednesday October 17

Afternoon

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

Take it to the Bridge - The Globe, 11 Railway Street, Newcastle NE4 7AD. 8:00pm. £1.00.

Community Hall New Orleans Band - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:30pm £3.00.

Moonshine Sessions - Billy Bootleggers, 28 Nelson Street, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, October 21, 2017

CD Review: Sherri Roberts - Anybody's Spring

Sherri Roberts (vocal); David Udolf (piano); Harvie S (bass); Akira Tana (drums); Sheryl Bailey (guitar).
(Review by Lance).
The seasons have provided fertile material for songwriters, often to the point of overkill with: Winter Wonderland, Autumn Leaves and Summertime being typical examples of good songs that have been flogged to death unlike Winter in Madrid (Ann Richards w. Kenton), Autumn Serenade and The Things We Did Last Summer which are all worthy of more exposure.
Spring, however, is a different kettle of fish - possibly because there are more of them [songs] - but, since Shakespeare's It Was a Lover and His Lass, Spring, like love, has ever been in the air and the airs on this album are 12 of the best sung by a lady who moved from theatre to song when she recognized that exploring the rich emotional life of a character through story can be done far more economically in a four-minute song than a two-hour play; that a well-written song is like a drama in miniature, distilled to its musical essence; and that singing, like acting, offers the means to externalize the deeper, internal self. She walked away from theatre and onto the bandstand, and hasn’t looked back since.
And I'm rather glad about that!
Initially, I missed the boat on this one. It was scheduled for release in March just after the vernal equinox but maybe I, or the mailman, was hibernating and so I never got to hear it until now. The theme is Spring - now a distant memory - but, such is the choice of songs, that indeed It Might as Well (still) be Spring.
A delightful choice of songs: It's Anybody's Spring; Spring Sprang Sprung; They Say It's Spring; It Might as Well be Spring; Joy Spring; Double Rainbow; Now at Last; One Morning in May; Lady Bird; While We're Young; Spring Isn't Everything.
Roberts is a class act, I've noticed how singers with a theatrical background know how to project a lyric and Sherri does just that albeit not as the great diva, more the ingénue who steals the show. Chet Baker or Shirley Horn spring to mind.
A stellar supporting cast keeps the momentum flowing. Solos by Udolf and Bailey impress as does Harvie S along with Tana's brushwork on One Morning in May or One Mornin' in May as Roberts tells it. Bass and drums also boot Lady Bird along prior to solos from guitar, piano, voice and drums. 
Four bars of Robbins' Nest sung by Roberts sees the track safely home.
I'm always saying that there are too many female singers rolling off the conveyor belts but, when they're of this calibre all I can say is, 'Keep them conveyor belts rolling'.
Lance.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance