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Bebop Spoken There

Andrew Hadro: "It seems to me that everybody just puts out an album, they go through the motions, spend the money and they just sort of throw it out there into the sea of CDs and hope something comes back" - (DownBeat June 2018).

Jonnathan Blake (Blindfold Test): “Maybe it's someone from New Orleans who has lived in New York for a minute.” (DownBeat June 2018).

Today Wednesday May 23

Afternoon

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Take it to the Bridge - The Globe, 11 Railway Street, Newcastle NE4 7AD. 8:00pm. £1.00. (Upstairs).

Jam Session - Dun Cow, Brandling Village, Jesmond, Newcastle NE2 4RS. 8:00pm. Free.

Community Hall New Orleans Band - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:15pm £3.00.

Moonshine Sessions - Billy Bootleggers, 28 Nelson Street, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, October 03, 2017

CD Review: Jane Ira Bloom - Wild Lines: Improvising Emily Dickinson

Jane Ira Bloom (soprano sax); Dawn Clement (piano); Mark Helias (bass); Bobby Previte (drums); Deborah Rush (voice).
(Review by Lance).
Wild nights - Wild nights! 
Were I with thee 
Wild nights should be 
Our luxury! 

Futile - the winds - 
To a Heart in port - 
Done with the Compass - 
Done with the Chart! 

Rowing in Eden - 
Ah - the Sea! 
Might I but moor - tonight - 
In thee! 
Back in 2010 - 2010! was it really that long ago? Andy Champion's ACV recorded an excellent album (Fail in Wood) the title track based on a poem by Emily Dickinson. Now, Jane Ira Bloom has recorded a double album dedicated to the works of the legendary American poet who died in 1886 bequeathing to the world a legacy of poetic lyricism. To the best of my knowledge, there have been no other jazz portraits of this most enigmatic of literary ladies.
Wild Lines, inspired by the above stanzas, has the first disc instrumental and the second comprising the same compositions but with Deborah Rush adding, to a greater or lesser degree, Dickinson's words.
The words don't take away the impact of the music and neither does the music detract from the words. Truth is they complement each other beautifully.
Bloom displays the lyricism and the agility on soprano that rubber stamps her recent Down Beat Critic's Poll success.
Clement is equally effective on piano and the rhythm section's sound as a pound (actually a whole lot sounder than a pound!) Cornets of Paradise is probably the funkiest number with some parade style drumming and the common denominator between the earlier AVC album, Fail in Wood and this one  is that the title of that poem here is Other Eyes.
There are also a few electronic things going on but they don't do any harm.
To finish off, a solo version of It's Easy to Remember has nothing to do with Emily Dickinson but it's beautiful and totally appropriate
The double album is currently available on Outline.
Well worth checking out.
Lance.
PS: If you are at an Andy Champion gig check to see if he has any copies of Fail in Wood in the garage!

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Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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