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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Tuesday November 21

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free. New weekly mainstream session. 2 mins from Monkseaton metro.
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Evening

Jam session - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 0191 222 9882. 8:00pm Free. Session led by Mark Williams.

Omar Sosa + Seckou Keita - Sage Gateshead, St Mary’s Square, Gateshead NE8 2JR. 0191 443 4666. 8:00pm. £21.80. Sage Two.

Gypsy Jazz Jam - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. Doors 7:00pm. Free. ‘No audience as such – everyone is a player/musician or a gypsy!’

Charles Gordon - Vermont Hotel, Castle Garth, Newcastle NE1 1RQ. 0191 233 1010. 10:00pm. Free.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, September 10, 2017

Fergus McCreadie Trio @ The Jazz Coop September 9

Fergus McCreadie (piano); Mark Hendry (bass); Graham Costello (drums)
(Review by Steve H). 
What a great night was had by all at the Globe Jazz Bar on Saturday night. This young trio hailing from North of the Border gave a thoroughly uplifting and entertaining performance, delighting the Jazz Coop audience. McCreadie, despite his youth, is a phenomenal piano player - the speed and drive of his playing was at times breathtaking but he was also able to display a soft gentle side when playing a ballad. 
However, this was not just a one man band and Hendry on bass and Costello on drums not only provided admirable support but also enhanced the performance considerably.  The band were really able to find a groove which kept the audience tapping their feet and nodding in appreciation. The roots of the band couldn’t be more obvious even if the trio had been sporting kilts, sporrans and tam o’shanters. Influenced by his heritage and environment a deep vein of Scottish influence could be heard in all the compositions; there was even a full-on highland reel as an opening to one of the pieces. 
This may have not been Edinburgh rock but it was certainly Highland swing. I certainly recommend that you take the opportunity to see them play if you get the chance.
Steve H.

1 comment :

Minnie said...

I was spell-bound by these guys! They are so young, two of them still at Glasgow Uni (studying jazz of course!) - fabulous playing - and power to Fergus's elbow for composing all the music - every last piece was original and there was great diversity. I agree with Steve - definitely not to be missed if you get the opportunity!

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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