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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Tuesday November 21

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free. New weekly mainstream session. 2 mins from Monkseaton metro.
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Evening

Jam session - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 0191 222 9882. 8:00pm Free. Session led by Mark Williams.

Omar Sosa + Seckou Keita - Sage Gateshead, St Mary’s Square, Gateshead NE8 2JR. 0191 443 4666. 8:00pm. £21.80. Sage Two.

Gypsy Jazz Jam - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. Doors 7:00pm. Free. ‘No audience as such – everyone is a player/musician or a gypsy!’

Charles Gordon - Vermont Hotel, Castle Garth, Newcastle NE1 1RQ. 0191 233 1010. 10:00pm. Free.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, September 26, 2017

Classic Swing @ The Marquis of Granby - September 25

Bob Wade (trumpet, flugelhorn & clarinet), Jim McBriarty (tenor saxophone, clarinet & vocals), Malcolm Armstrong (keyboards), Alan Rudd (double bass) & Olive Rudd (vocals)
(Review by Russell)
The Marquis of Granby in Sunniside is no stranger to jazz gigs. For a number of years the Maine Street Jazzmen maintained a residency and down the years other bands have come and gone at the Streetgate, Sunniside pub. Across Tyneside weekday lunchtime time sessions are booming – Cullercoats, East Boldon, Monkseaton and now Sunniside in Gateshead.
Northumberland based trumpeter Bob Wade has put together a new band of familiar names with a view to playing a small group swing repertoire rather than the New Orleans/Dixieland book that can be heard at the many fine venues in the region. ‘Classic Swing’ is the name and at this first gig Bob Wade expressed surprise that anyone would turn up to the band’s ‘first rehearsal’. Turn up they did and in good number. Classic Swing’s front line – Wade playing trumpet, flugelhorn and clarinet and Jim McBriarty on tenor sax, clarinet and vocals – enjoy an easy rapport, sharing the solo spots with Malcolm Armstrong, keyboards, and bassist Alan Rudd. The set list was by no means strictly swing material, although, as Wade said, it’ll take time to compile a book giving the band a truly distinctive sound on the local scene. Swing or not, the tunes were just fine – On the Sunny Side (Sunniside?) of the Street, It’s Only a Paper Moon, I’m Beginning to See the Light (McBriarty vocals), Rosetta, a good start to a new residency. Wade played some flugelhorn and, standing alongside the maestro himself, Mr J. McBriarty, clarinet!

Olive Rudd put on her dancin’ shoes and called out Dr Jazz. A trip to the dispensary (the bar) for a medicinal St Austell’s Tribute, a raffle ticket, the Marquis was doing good business. Perdido got the rehearsal’s second set under way, Wade switched to flugel to play Rockin’ Chair, Olive Rudd sang about Sunniside’s Blue Skies, later asking Am I Blue? A two-clarinet Creole Love Call provided an undoubted highlight of the afternoon with the contrasting styles of McBriarty and Wade.

Up tempo numbers kept the punters happy, not least ’S Wonderful (Olive Rudd vocals) and Avalon (McBriarty vocals). Classic Swing made an impressive debut. A band well worth hearing, get along to the Marquis of Granby on a Monday, one o’clock start. A fast, frequent, reliable bus service from Newcastle’s Eldon Square Bus Station drops off outside the pub. If you’re travelling from Consett it is much the same easy-to-get-to journey. So, why not enjoy a pint listening to some top class jazz from Classic Swing?
Russell.            

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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