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Bebop Spoken There

Randy Brecker: "It's still a thrill for me today to stand out front of a big band as the soloist and hear all that sound going on behind you. It brings the best out of me" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Wednesday May 22

Afternoon

Jazz

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Julija Jacenaite & Alan Law - Jazz Café, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 261 5618. 2:00pm. Free. Café Mezzanine (first floor, access via crafts shop).

Evening

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

Blues

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, September 11, 2017

CD Review: Enrico Pieranunzi Trio - Yesterdays.

Enrico Pieranunzi (piano);  Mads Vinding (bass); Alex Riel (drums).
(Review by Lance).
Recorded live in 1997, at the Copenhagen Jazzhouse, and released 20 years later, Yesterdays may seem an appropriate title. However, listening to the Jerome Kern tune of the same name that occupies the first 11:30 of the album, I'd have plumped for Today. The album notes make comparision with Keith Jarrett and maybe there are similarities but, to me, Pieranunzi is much more accessible and he swings. Swings, not in a historical way but in the present time. It may have been recorded 20 years ago but it could have been recorded 20 minutes ago and no one would have known!
Gary Peacock's Vignette is sensitive, explorative and maybe there's a faint suggestion of Bill Evans which is never a bad thing. Vinding's solo would have got the nod from the composer.
Fats may have had a few reservations about the intro to his Jitterbug Waltz - the oft repeated cries of Mercy! that permeated so many of his recordings may have taken on a totally different meaning here! Fortunately, preliminaries over, once the head started rolling, he'd have stopped rolling in his grave and the Mercy would have been an approving one.
A Nameless Date by Pieranunzi. An enigmatic title. Maybe deserving of an explanatory lyric - the tune is well capable of handling one.
If there's a more daunting prospect for me than facing 3 minutes of Summertime then it's being confronted with 12:48 of My Funny Valentine - not funny!
As it turns out, Piernunzi, whilst remaining faithful to the tune (about as faithful as Bluebeard was to his wives...)
does the song proud with some great piano, sound bass and a drummer who's saying: "Rodgers and who?"
Many have told me that My Foolish Heart is their all-time favourite ballad and it's certainly high on my list. Equally, others have claimed the Bill Evans Trio take on the tune to be one of the greatest jazz ballad recordings.
Which leads me to the conclusion that it really is one helluva tune and this version does nothing to suggest otherwise.
Likewise, Howard Schwartz's If There is Someone Lovelier Than You. A new one - to me - demonstrating just how many GASbook items are still waiting to be rediscovered! 
Alex Riel gives it some stick(s) and Mads Vinding does what he does best with the leader rewriting the tune.
Twenty years? I ask you!
Strangely, in 1997, the trio recorded The Kingdom (Where Nobody Dies) which went on to become one of the Stunt Label's all-time 10 best sellers.
Come September [22] Yesterdays will be available on Stunt - STUCD17072 and distributed in the UK by Discovery.
Lance.

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