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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Sunday November 19

Afternoon.

Musicians Unlimited - Park Hotel, Park Rd., Hartlepool TS26 9HU. 01249 233126.1pm. Free.

Tyne Horns - Exchange, Howard Street, North Shields NE30 1SE. 3:00pm. Free. New saxophone quartet – Louise Lambert (alto & tenor), Tom Adams (alto & soprano), Colin Wise (tenor) & Col Smith (baritone).

Mitch Laddie Band - Tyne Bar, Maling Street, Newcastle NE6 1LP. Tel: 0191 265 2550. 3:00pm. Free. Blues band.

Blues @ The Bay - Tanner Smith's, 17-19 South Parade, Whitley Bay NE26 2RE, 0191 2525941. 4pm. Blues Jam w. Scott Wall & Charlie Philp.

Somethin' Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 01325 788564. 5pm. Weekly.
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Evening

Arun Ghosh + Steve Ojay - Sage Gateshead, St Mary’s Square, Gateshead NE8 2JR. Tel: 0191 443 4666. 8:00pm. £15.30. Sage Two.

Big Muddy - The Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. £5.

Paul Edis + Early Bird Band - Black Bull, Bridge Street, Blaydon NE21 4JJ. Tel: 0191 416 2846. 8:00pm. £5.00. Edis solo piano set followed by the Early Birds.

Toots and Littlefield - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, July 03, 2017

George Benson @ Scarborough Open Air Theatre - July 1.












(Review by Steve T)
For years I've longed for someone worth the effort to play this open air theatre. I'd always thought, if anybody, it would be Santana, but when Benson was announced, it was that expression number one wife hates, a no brainer.
It doesn't feel like a six thousand capacity venue and there were plenty of empty seats but far more occupied. As at Sage Gateshead last year, there was a mix of those who think he arrived with the Breezin’ album and those who think it began with his collaboration with Quincy Jones et al, just four years later. The difference was at the Sage it was a 90/10 split, while here it was more 990/10.
A bold finger up then to open with Affirmation from Breezin’ but a joy for me, having all but missed it at the Sage trying unsuccessfully to obtain a decent photo for my review.
Once the crowd realised it wasn't one of the sing-alongs, they reverted to their conversations, imbibing, eating, trips to the loos, the bar etc. 'I don't get the guitar solos', a neighbour said to me. 'One of the greatest of all time' I offered, but he didn't seem convinced. 
A few hits: Love X Love, In your Eyes and Turn your Love Around before the crowd lost interest again during Mambo Inn until he started singing half way through.
Breezin’ was the high point but even this was met with indifference, despite its inclusion on every compilation/ best of/ greatest hits package. Written by Bobby Womack, for a few short minutes I was there.
He introduced the newest member of the band, a lady doing some serious stuff on percussion and adding some proper backing vocals. She joined him for a duet he described as one of those old standards which turned out to be Roberta Flack and Donny Hathaway Where is the Love - how times have changed - a song ideally suited to his voice.
Love Ballad, an LTD original, was the hit from the album prior to Give me the Night but people still seemed to know it and it was a welcome addition not featured at the Sage. Unsurprisingly, Give me the Night brought the park down.
With half an hour to go,

I couldn't think what else he had to play beyond Greatest Love of All. I'd forgotten Never Give up on a Good thing, or more likely conflated it with Turn your Love  Around, and forgotten This Masquerade, possibly because he hadn't played it at the Sage, so another welcome addition. Inexplicably I'd forgotten On Broadway and we were mercifully spared Greatest Love, which must have been a real blow for the majority, though most seemed like they'd had the night of their lives.
Until he goes back to Jazz and includes stuff like Take Five (his live version my favourite version); as long as Breezin’ continues as his starting point - at the time the biggest selling Jazz album in the world - how times have changed - whether he's doing Jazz-funk, soul, disco, pop or MOR, he's a class act.
Steve T.
Note: George Benson's concert at Ronnie Scott's tomorrow night (July 4) is streamed live at 10:15 UK time.

2 comments :

Russell said...

Steve, if the shows weren't sold out (tickets ranging from £300 to £375 were offered to, and snapped up by, members of Ronnie Scott's at the discounted price range of £240 to £300) you could hear the man tomorrow night in a proper jazz club! A bargain!

Steve T said...

Many argue Ronnie's is no longer a proper Jazz club and it's certainly something of a tourist attraction. I believe he just does the same stuff at Jazz Festivals so I'd rather see him in my favourite British holiday resort.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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