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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Tuesday November 21

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free. New weekly mainstream session. 2 mins from Monkseaton metro.
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Evening

Jam session - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 0191 222 9882. 8:00pm Free. Session led by Mark Williams.

Omar Sosa + Seckou Keita - Sage Gateshead, St Mary’s Square, Gateshead NE8 2JR. 0191 443 4666. 8:00pm. £21.80. Sage Two.

Gypsy Jazz Jam - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. Doors 7:00pm. Free. ‘No audience as such – everyone is a player/musician or a gypsy!’

Charles Gordon - Vermont Hotel, Castle Garth, Newcastle NE1 1RQ. 0191 233 1010. 10:00pm. Free.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, July 16, 2017

Colin Aitchison & Friends @ Blaydon Jazz Club - July 15

Colin Aitchison (trumpet & vocals); Franco Valussi (clarinet & vocals); Steve Andrews (clarinet, tenor saxophone & baritone saxophone); Roly Veitch (guitar) & Alan Rudd (double bass) + Olive Rudd (vocals) & Neville Sarony (vocals)
(Review by Russell)
A Zez Confrey tune to open proceedings; Stumbling written in 1922 (with thanks to Steve Andrews’ encyclopedic knowledge of the composers and musicians of the era!). This Blaydon Jazz Club gig, at the Black Bull as usual, was something of a departure in being a first ever lunchtime promotion. The unavailability of the room on the preferred Sunday evening necessitated the change, and fears of a low turn out were soon allayed as regulars rolled up bolstered by a large contingent from Hong Kong.

Blaydon Jazz Club supremo Roly Veitch extended an invitation to some friends to come along and play some tunes. Now an annual occasion, Hong Kong-based Colin Aitchison and Franco Valussi duly accepted, making a visit to Blaydon a top priority during their visit. Closer to home, a short hop over the Pennines reunited Cumbria-based Steve Andrews with Veitch, and closer still, Alan Rudd, based here on Tyneside, no doubt had time for a leisurely late breakfast. From Confrey to the Duke – Just Squeeze Me. Just perfect; small group swing, a purring rhythm section, impressive front line solos. A first vocal for trumpeter Aitchison; The Lady is a Tramp with his typical good time delivery, the smiles across the audience evidence of a good time being had by all.  A Franco Valussi feature – Memories of You – confirmed the class of the Italian clarinet maestro.

’S Wonderful was, it always is. Time for our first guest of the afternoon. Olive Rudd stepped up to sing Some of These Days, excellent stuff, we’d hear more from the Maine Street Jazzmen’s singer later. Fun time…Jeepers Creepers heard Colin and Franco sharing a mic…’where’d ya get those peepers?’ as Steve Andrews switched to clarinet to show he’s a match for Signor Valussi. Neville Sarony, of the Hong Kong touring party, joined the boys on the stand to ask: Do You Know What it Means to Miss New Orleans? Mr Sarony is a character; somewhere between a Valentino matinee idol and eloquent/elegant crooner. A ‘good value’ performer, Blaydon looks forward to the next time he’s in town. The first set closer, Oh, Lady Be Good, exemplified the afternoon’s choice material.

A choice of real ales, a decent pint of Guinness for some, a raffle generously supported by all, the interval flew by. With two master clarinetists in the house it was a fair bet that they’d have a bit of fun on a classic number and so it was Andrews and Valussi played Creole Love Call supported by . the ace string rhythm section of Messrs Veitch and Rudd. The other Rudd, vocalist Olive, made a return to the stage to give an energetic rendition of When You’re Smiling featuring Mr Rudd’s first rate bass playing. From Olive to Neville, with Andrews toting his baritone sax, Mr Sarony swore he could hear Buddy Bolden’s Blues drifting up the Tyne…yep, definitely! A sing-along Down by the River(Tyne)side engaged the audience, and a brief, unexpected interlude heard Steve Andrews in full flow reciting a poem in, as he said, a Sunderland-Gaelic accent including the line: Whoosh! Yer bugger. Aye, a class poetry reading here at the Black Bull’s literary salon! 
And so to the principal guest of the afternoon’s concert. Colin Aitchison, ever the jovial front man, on this gig he played, almost exclusively, muted trumpet. The exuberance, the joie de vivre, fine and dandy, but don’t be fooled, Aitchison is a class trumpet player. Squeezing notes, half notes, a plunger mute, the ex-pat Tynesider plays the kind of trumpet all too rarely heard these days. The vocals are always spot-on – less Louis on this session, more Aitchison – no more so than on It Don’t Mean a Thing with a two-clarinet support for good measure. A marvellous afternoon of jazz concluded with classic small combo swing – Swingin’ the Blues. Our Man in Hong Kong will return next year and when he does make sure you’re in town, you’re guaranteed to have a good time.
Photos.             
Russell.

2 comments :

Lance said...

Patti D mentioned to me, and I quote, "Oh yes, Roly sang Dear Bix at the Black Bull lunchtime session with Colin and Franco. I kind of requested it - just Roly, with guitar and bass. What a gorgeous number it is."
What a gorgeous number indeed. So sorry that I missed that.

LIz said...

love that number!

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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