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Bebop Spoken There

Vadim Neselovskyi, Professor of Jazz Piano, Berklee College of Music: “Every pianist has to deal with a very complex left-hand part at some point. This is the essential pianistic experience – to split your brain into two halves and execute two very different tasks at the same time.” – (Down Beat September 2017).

Roscoe Mitchell: “To me, improvisation is trying to improve your skills so you can make these on-point compositional decisions. That takes practice.” – (Down Beat September 2017)

Archives

Today Monday September 25

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Classic Swing - Marquis of Granby, Streetgate, Sunniside NE16 5ES. 0191 4880954. 1pm. Free. New mainstream gig w. Bob Wade (trumpet); Olive Rudd (vocal) and other familiar faces.
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Alastair Lord (trumpet) & Kris Thomsett (organ) - St. Nicholas Cathedral, St. Nicholas Square, Newcastle NE1 1PF. 1:05. Free (retiring collection).
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Evening.
?????
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, June 23, 2017

Group Theory @ The Jazz Café - June 22

Dan Garel (alto saxophone), Matt Jacobs (piano), Dylan Purches (double bass) & Tristan Bacon (drums)
(Review by Russell)
The previous evening the magnificent Durham University Big Band brought the house down. This small group session promised to do the same. Four musicians from DUBB returned to play tunes written by alto saxophonist Dan Garel interspersed with a selection of jazz standards. One of the quartet is about to graduate, two have a final year ahead of them, and the fourth member is about to complete his first year at Durham University.
Garel’s Symmetries opened a long, one set, programme. Alto saxophonist Garel demonstrated an amazing command of his instrument, possessing an incisive, biting tone. Garel took a look at Have You Met Miss Jones? turning it inside out with his band mates right there; pianist Matt Jacobs sat listening, playing when necessary, giving Garel room to stretch out, drummer Tristan Bacon (a fine big band drummer) revealed a small group sensitivity (brushes and mallets in evidence during the evening), and bass player Dylan Purches appeared unperturbed throughout. 

Several of Garel’s compositions have yet to be given a title, one, Modal Comp, did what it said on the tin. On Green Dolphin Street hit the spot, Garel, one imagines, could have held his own on the stand at any one of the long-gone 52nd Street haunts. Bacon used mallets from beginning to end to great effect on Garel’s Eight Weeks, the group cohesion admirable on this number, and indeed, the entire set.
A rip-roaring Night in Tunisia, an untitled Afro-Cuban piece, Garel’s tasty Pumpkin Vermicelli, just how good are theses guys? The quartet agreed that Wayne Shorter’s Footprints was an ace tune, they played it, top stuff! Group Theory are well worth catching. They’ll be playing gigs in Durham – the Empty shop is a good bet – although the soon-to-graduate Matt Jacobs is to depart, beginning a new chapter in his life, necessitating a change in personnel, perhaps a change in instrumentation but regardless of change, go hear Group Theory.
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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