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Bebop Spoken There

Andrew Hadro: "It seems to me that everybody just puts out an album, they go through the motions, spend the money and they just sort of throw it out there into the sea of CDs and hope something comes back" - (DownBeat June 2018).

Jonnathan Blake (Blindfold Test): “Maybe it's someone from New Orleans who has lived in New York for a minute.” (DownBeat June 2018).

Today Monday May 21

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

Jazz FM - a Paul Edis track to be played between 6-7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, June 20, 2017

CD Review: Small Town - Bill Frisell (guitar) and Thomas Morgan (bass).

(Review by Steve T)
When reviewing an ECM album one inevitably finds oneself reviewing the label as well as the artist and the album. Occasionally I find I can't review them at all, because any link with Jazz is distinctly tenuous and I really can't recommend it to anybody, and so it was with the last two. It's based on the assumption that ECM completists have their own sources and don't need to rely on me for info about releases.
Any album by Bill Frisell is potentially of interest to the Jazz listener and guitarists in particular, but I can't get excited by an album with just guitar and bass. A drummer, or better still a Hammond, may have added some ba!!$; maybe.

Even Peter Green’s Albatross had some light percussion and this is like listening to an album-length version of that, but without the memorable tune, or at least one the media have bombarded us with over many years until you know it backward.
At last on the final track it delivers an Albatross in the shape of Goldfinger, for me the most over-rated of the early theme songs (and Connery films); I always preferred Diamonds are Forever which is almost a decent song in its own right.
It's live, out now and perfectly pleasant. Just don't expect it to hold a mirror to society or tear down the 'greedy square system'.

Steve T.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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