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Bebop Spoken There

Danny Gatton: "I was tired of playing in beer joints. I wanted to do something tangible like building cars. But once you do music it gets into your blood. You can get away from it for awhile but sooner or later it comes back to you." - (Down Beat April 1991).

Tal Farlow: "There were times when I would stop [playing guitar] and do sign painting." - (Downbeat December 5, 1963)

Archives

Today Thursday August 24

Radio
Proms 2017, Radio 3: A Celebration of the life and music of Charles Mingus w. Jules Buckley & the Metropole Orkest f. Shabaka Hutchings; Christian Scott; Kandace Springs. 7:30pm.
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Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:oopm. Free.
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Evening.
Maine Street Jazzmen - Potter's Wheel, Sunniside NE16 5EE. 8:30pm. Free.
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Jazz & Tapas w. Pocket Jazz Orchestra - No 60 ARC, Dovecote St., Stockton TS18 1LL. 7pm. £10.
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Ray Dales w. James Harrison Trio - Dormans, Oxford Rd., Middlesbrough TS5 5DT. Free. 9pm. Guest band night.
New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, May 25, 2017

Talinka @ St Ives Jazz Club - May 23

Gilad Atzmon (bass clarinet, sorprano sax, accordian and classical guitar); Tali Atzmon (vocal); Jenny Bliss Bennett (viola da gamba); Yaron Stavi (bass).
(Review by Peter Jones/ Photos courtesy of Trevor Lever)
A good-sized St Ives crowd gathered at the self-styled ‘last jazz club before New York’ on Tuesday night. As Talinka took the stage, many were wondering how the band would compare with Gilad Atzmon’s other musical ventures. In fact, though, the brains behind this project belong to his wife, the singer Tali Atzmon.
Looking at the line-up of bass clarinet, viola da gamba, double bass and vocals, one might predict a coalition of chaos. But one would be wrong. Very wrong. Talinka have a strange yet distinctive musical style whose main feature is an intense other-worldly melancholy, part middle-eastern, part Brazilian, part Berlin cabaret, part Tom Waits.

Gilad switches constantly between bass clarinet, accordian and nylon-stringed guitar, but the band’s real wild card is viola da gamba player Jenny Bliss Bennett, who wears a happily bemused expression throughout, even when singing vocal harmonies with Tali. In case you’ve never seen one, the viola da gamba is a fretted, six-stringed instrument a little smaller than a cello, played upright, and either bowed or plucked like a guitar. Bliss Bennett sometimes switches to violin. The last element of the rich Talinka stew is energetic double bassist Yaron Stavi.

A good example of their style is Don’t Explain, a bleak enough song when rendered by Billie Holiday, but now imbued with an almost unbearable sadness and longing. Another is Gilad’s composition Four 2 Tango, also their opening number, which sounds like someone trying to awake from an unpleasant dream. Or Duke’s In My Solitude, another one Billie used to sing, here redolent of deep melancholy and world-weary resignation.

Wait, come back – all this is a good thing: Talinka’s sadness is mixed with much human warmth, and this gives the music terrific emotional depth, whilst the unusual instrumentation lends familiar songs a whiff of the exotic. Tali herself is a wonderful songwriter – I particularly enjoyed Every Now And Then, which could have been composed by Leonard Cohen, and When You’re Gone, a bolero with gorgeous minor/major modulations. And throughout, the joker, provocateur and controversialist Gilad keeps up his usual banter with everyone in the room, including his wife. Very entertaining and richly enjoyable.

Peter Jones

1 comment :

  1. Tonight's gig by Gilad with Paul Edis hasn't been cancelled but moved from Cluny to Ware Rooms, 16 Carliol Sq Newcastle.

    ReplyDelete

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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