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Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

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Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

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Today Sunday June 17

Afternoon

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1pm. Free.

Get in the Band rehearsal - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4666. 10:00am-6:00pm. First of two rehearsals under the direction of Chris Sharkey (second rehearsal Thurs 21 June, 6:00-10.00.pm) culminating in three performances in a day on Sat 23 June - 1) Great North Museum (Hancock Museum), 2) Central Station, 3) Sage Gateshead. Times TBC. Free but ticketed.

Big Gig in the Park: Durham Music Service Ensembles - South Park, Parkside, Darlington DL1 5TG. 12 noon.

Alice Grace & Ben Helm - Bonbar, Fenkle Street, Newcastle NE1 5XU. 1:30pm. Diners’ gig.

Somethin’ Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 5:00pm. Tel: 01325 788564. Matt Case (saxophone) & Mike Hepple (guitar).

Sour Mash Trio - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Mark Williams & Joel Byrne-McCullough - Black Bull, Bridge Street, Blaydon NE21 4JJ. 8:00pm. £5.00.

Jazz Jam - Head of Steam, Reform Place, Durham DH1 4RZ. 7:30pm. Free. Durham University Jazz Society. Last one before the Summer recess.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, April 07, 2017

GIJF Day 3:: Jazz Africa/Jazz Cuba @ Sage Gateshead , April 2.

(Review by Steve T)
It's always nice to do at least one gig in Sage One, over the weekend, to see those who maybe only do one show,  but make the whole thing happen. Otherwise you feel insular, like the only people there are the familiar faces in the small rooms, at the concourse and the stands. 
This was the other no-brainer, along with Miles Mosley, until number one son introduced some brains suggesting we should be in Hall Two, and then Lance (who tends to know what he's doing in these matters) confirmed he was in Northern Rock. Sounds like a resounding finale for the Festival.
By Sunday evening, anybody still wondering whether they'd had a festival was left in no doubt by the end of this; this was almost a festival on its own. 
Lots to get through so Shabaka Hutchings was already onstage when I got in, complete with his Ancestors.  
Drums and percussion, rock solid and relentless, as always in these groups, brilliant sax from both tenor and alto, bass and a Hoodoo type Man, presumably Shabaka, dressed all in black, hat rim casting a shadow over his face, prowling the stage preaching, hollering and occasionally singing.
Short break before the Alfredo Rodriquez Trio took to the stage, the bandleader hitting it running, leaving no doubt he's a world class pianist. Afterwards I found myself stood with two Jambone/Early Birds keyboardists and asked whether they were going home to practice or put their instruments on ebay.
 The bass player was more enigmatic, in a splendid frock, large earrings and what looked (to someone of my age and background) like a type of hairnet. It was only when he came out of the shadows he revealed a full beard; the kind of look the media keep telling us wouldn't have been possible without Bowie. He could play too, taking the lead part on occasion - Steve Howe like - with a fixed, standalone member of the guitar family. As you'd expect, the drummer was safe too. One of the stage hands made himself the second least popular person in the building telling him to cut the set (or slit his throat). To the delight of the audience, he ignored him and played one more anyway.

Last up was Richard Bona, or as he liked to say - Michael Jackson, with his Mandekan Cubano. Another musician who could have been a stand-up comic, he had the audience laughing in the aisles. His singing was quite low-key until it required some passion when a soulful quality emerged, but was at its best in the African style of Youssou N'Dour, Salif Keita or Papa Wemba, particularly when acapella.
The band, or as he called them, the Cubans - who know how to take breaks, he told us, as they left the stage to take one - were hot, once again rock-solid percussion, piano and just two horns, doubling up on backing vocals Buena Vista Social Club style. His bass playing was restrained but with enough hints he could really go when required.
By the end we were all up 'dancing' in the aisles, at our seats, where we stood, bringing the whole thing to a glorious close. A triumph I heard somebody say to Ros Rigby as we filed out, and who knows whether he meant the gig, the night, the day or the festival, but I wasn't about to argue one way or another.
Steve T.

2 comments :

Anonymous said...

Shabaka is, quite notably, a Saxophonist.

John Pope said...

Actually, Shabaka is the tenor player.

Blog Archive

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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