Total Pageviews

Bebop Spoken There

Victor Feldman: "The teacher said he couldn't teach me anymore. That was when I was seven." - Downbeat June 8, 1961.

Christian McBride: "He [Horace Silver] was the whole package" – (Downbeat September 2014).

Today Sunday January 21

Afternoon

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 12 noon. Free.

Jazz de Luxe - Lit & Phil, Westgate Road, Newcastle NE1 1SE. 2:00pm. £12.00. & £10.00. Part One. JNE.

Archie Brown & The Young Bucks - Tyne Bar, Maling Street, Newcastle NE6 1LP. Tel: 0191 265 2550. 3:00pm. Free.

Somethin’ Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 5:00pm. Tel: 01325 788564. Matt Case (saxophone) & Mike Hepple (guitar).

Evening

Brenda Sokool Band - The Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. £5.

Jazz de Luxe - Lit & Phil, Westgate Road, Newcastle NE1 1SE. 7:00pm. £12.00. & £10.00. Part Two. JNE.

Bradley Johnston - The Fire Station, High Street West, Sunderland SR1 3DT. Tel: 0191 594 7241. 6:00pm. Free. New weekly residency.

Lee Bates - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Jazz Jam - Empty Shop, 35c Framwellgate Bridge, Durham DH1 4SJ. 7:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, April 04, 2017

GIJF Day 2: Miles Mosley @ Sage Gateshead - April 1

Miles Mosley (Bass/vocals); Dontae Winslow (trumpet); Ryan Porter (trombone); Cameron Graves (keys); Tony Austin (drums).
(Review by Steve T).
Hot-footed it from Dundee via North Bitchburn to get to this and I'm sticking to my guns that it was the real coup of the festival. When Kamasi's in Sage One and Kendrick, Lotus and Thundercat are at Metro Radio Arena, we'll be saying we saw the bass player at Northern Rock Foundation.
I half expected to see faces from a former life, George Clintons P Funk Mob being the nearest comparison I can make, though Kamasi cites Earth Wind and Fire as the major funk influence. The Jazz content is pretty much comparable for each.
I've been doing this long enough and often enough to know that expectations can lead to pleasant surprises but also disappointment and I attended this knowing it might not be all I hoped for.
It wasn't the breakthrough of my highest expectations but was a funky, fine way to finish off a Saturday night. The songs were good if unremarkable, mostly from his new album and it was great to be able to buy the CD, though some people seemed to know all the words to all the songs already, and why were they £15 when the people collecting the money are the same people who claim nobody wants them anymore?
The musicianship was strong throughout the small band of drums, piano and just two horns and, significantly, they were tight, as you'd expect from a band of brothers, figuratively speaking. I was stood in front of one of the amps which was comfortable when he wasn't playing his upright, loud when he was and exploded when he attacked it with his bow, often through a cry-baby, and I can't wait to hear how that sounds on the album.
The pianist played the funkiest acoustic piano I've ever heard and I found myself looking for a clavinet player, and the drummer may not have been the best in the world, as one audience member suggested and Miles agreed, but it's quite possible he's been dipped in the Tyne.
The audience included many who appeared to arrive specially, or were a hangover from GoGo etc,. and responded to calls of West Coast with the response Get Down, though only tentatively put the words into action, which may have been a blessing.
Tyneside may not have moved as much as the faithful may have liked, but I still think a fusion with hip hop is most likely to be the next big thing in Jazz, which will be great for young people to have something of their own. Three CDs of Kamasi’s Epic was probably too soon, Glasper going R+B a mistake, and Thundercat pulling in a famous popstar to gain radio airplay, not the way we'd like things to go. 
With Europe going for an even freer approach and Britain edging toward a smooth, prog, Jazz, funk, rock revival, based on the original American model before a visionary Yorkshireman spotted the error of their ways, the West Coast Get Down need to get on with it.
Steve T

No comments :

Blog Archive

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!