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Bebop Spoken There

Vadim Neselovskyi, Professor of Jazz Piano, Berklee College of Music: “Every pianist has to deal with a very complex left-hand part at some point. This is the essential pianistic experience – to split your brain into two halves and execute two very different tasks at the same time.” – (Down Beat September 2017).

Roscoe Mitchell: “To me, improvisation is trying to improve your skills so you can make these on-point compositional decisions. That takes practice.” – (Down Beat September 2017)

Archives

Today Saturday September 23

Scarborough Jazz Festival - Day two of three.
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Evening
Bradley Johnston (solo guitar) - Cherry Tree, 9 Osborne Rd., Jesmond, Newcastle NE2 2AE. 7:30pm. No cover charge.
Rockafellas - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.
Tobie Carpenter Organ Trio - The Globe, 11 Railway St., Newcastle NE4 7AD. 8pm. £10.
Thin Man + Jon Gordon - The Globe, 11 Railway St., Newcastle NE4 7AD. 8pm. Free.
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Nikki Iles & Stan Sulzmann - Great Hall, Hexham Abbey, Hexham NE46 3NB. 10pm. £10/£8.
Pat McMahon Trio - Tannery, Gilesgate, Hexham NE46 3QD. 01434 605537. 9pm. Free.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, April 24, 2017

CD Review: Louis Sclavis, Dominique Pifarely and Vincent Courtois - Asian Fields Variations .

Louis Sclavis (clarinets), Dominique Pifarely (violin), Vincent Courtois (cello).
(Review by Steve T).
What ECM do consistently well is mix Jazz with classical music and this is no exception, but rather than being Jazz with a hint of classical, it's more classical with a bit of Jazz, particularly on Asian Fields, with impressive solos on clarinet and violin, though this is by no means stronger than the rest of the album.
Arriving at Jazz through Black American Music, my interest in classical music is minimal, restricted to a few composers, though French composers are amongst my favourites, and generally an orchestra rather than a smaller ensemble. Clarinet, violin and cello suggests chamber music but Sclavis claims there's more to it than that and I tend to agree.
The three of them have played together as duos, a trio and part of larger ensembles since 1987. As a trio they re-launched in 2015 at the Vaulx Jazz Festival near Lyon, indicating that Jazz is viewed very differently on the continent as much as the eclecticism of Jazz Festivals nowadays.
The album is consistently good throughout, a view shared by my various passengers through its regulation three spins, but I doubt I'll pull it out again, which doesn't have to be a bad thing.
If this is how you like your Jazz, or for that matter your classical, it's been out since March.
Steve T.
Hugh's link (see comments).

2 comments :

  1. Nice review, Steve. IIRC, Lance gave me one of his CDs to review a few years ago - sounds in a similar vein. I was listening recently to last weeks "Jazz Now" on catch-up and in an interview John Etheridge made some interesting comments regarding the ECM sound. You can catch it here http://www.bbc.co.uk/programmes/b08mdcj4 at about 59:30

    ReplyDelete
  2. Thanks Hugh, I'll give it a listen. Number one wife may or may not let me go to see Etheridge with Soft Machine this sat (make no mistake, I'm the boss). Should be interesting with the recent death of another one time Softs guitarist Allan Holdsworth.
    I've seen Etheridge doing Zappa, Django and Hendrix with Nigel Kennedy and classical with John Williams so he's pretty versatile.
    Last time I saw another great British guitarist - Jim Mullen - he was less than complimentary about ECM.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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