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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Bebop Spoken Here on hold

As of tonight (November 15) at 21:00 hrs, this site will be temporarily on hold to allow for essential executive maintenance. Some minor activity may be possible during this period and we hope to have normal service resumed as soon as possible.
We apologise for any inconvenience caused.
Lance

Today Thursday November 16

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:00pm. Free.

Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrowgate Hill, Darlington DL1 3AD. Tel: 01325 463262. 1:30pm. Free.

Evening.
Maine Street Jazzmen - Potter’s Wheel, Sunniside, Gateshead NE16 5EE.

Ponyland - Bar Loco, 22 Leazes Park Road, Newcastle NE1 4PG. Tel: 0191 232 5871. 8:30pm. Free.

TBA – Railway, Wellington St., Gateshead. 8pm.

Mary Coughlan - Queen Vic, 78 Victoria Road, South Shields NE33 5PQ. 0191 447 0290. Doors 7:00pm. £18.00 (advance) from The Word (South Shields Library) or by card, tel 0191 427 4597.

Tees Hot Club w. Kevin Eland (trumpet); Donna Hewitt (sax); Graham Thompson (keys) - Dorman’s, Oxford Road, Middlesbrough TS5 5DT. 9:00pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, April 26, 2017

CD Review: Diana Krall - Turn Up The Quiet.


(Review by Lance)
A day after the Ella centenary we return to the current First Lady of Song - Diana Krall. Eleven GASbook classics - love songs, so sensual that it makes me wish I was Elvis Costello. 
And if the voice wasn't enough there's the piano playing. At times, reminiscent of the King Cole Trio which isn't surprising given that most, if not all, of the songs have been associated with the late Nat and Krall has recorded tributes to him in the past. There's also a slight suggestion of George Shearing in Isn't it Romantic? But, most of all, it's Diana's personal identity that stands out.
Three different groups and all with outstanding players. The voice and bass (McBride) duo chorus that kicks off Like Someone in Love is pure magic and the guitar-work by all three pickers is exemplary.Check out Malone on Blue Skies; Ribot on Moonglow and Wilson on Sway.
Not surprisingly, her former mentor Alan Broadbent arranged a gorgeous version of Dream. Appropriately enough, Dream, preceded by No Moon at All, is the penultimate track before the album concludes with I'll See You in my Dreams which I most certainly will tonight.
An album for lovers - lovers of cool, laid back, vocal jazz.
Other tracks: L-O-V-E; Night and Day; I'm Confessin'. - dig the piano on this latter track!
Available on Verve Records May 5.
Lance.
Diana Krall (vocal/piano); Christian McBride (bass); Russell Malone (guitar) + strings on several tracks. Alan Broadbent arranged Dream.
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Krall (vocal/piano); Stuart Duncan (violin); Tony Garnier (bass); Marc Ribot (guitar); Karriem Riggins (drums).
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Krall (piano/vocal); Anthony Wilson (guitar); John Clayton Jr. (bass); Jeff Hamilton (drums).

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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