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Bebop Spoken There

Howard Riley: “When I started out playing jazz back in the late 50s, early 60s, if you wanted a gig you had to learn some standards.” – (Jazz Journal April 2017)

Eric Harland: “I love swing and I’m always going to swing but I also know that you can take a hip-hop groove and improvise with that just like you would with a swing pattern.” – (Jazz Journal April 2017)

Today Thursday April 27

Afternoon
Vieux Carré Jazzmen - The Holystone, Whitley Rd., Holystone, Newcastle (ish) NE27 0DA. 1pm. Free.
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Evening.
Maine St. Jazzmen - Potters Wheel, Sunniside, Gateshead NE16 5EE. 8:30pm. 0191 4888068
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Dave Weisser & Alan Law - The Globe, 11 Railway St., Newcastle NE4 7AD. 8pm. £5. (Students free).
BABMUS Presents - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8pm. £3 (£2 students).
Strictly Smokin' Big Band - The Millstone, Haddrick's Mill Rd., South Gosforth, Newcastle NE3 3DB. Free. 7pm. Open rehearsal.
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Emma Fisk's Hot Club du Nord - Lubetkin Theatre, East Durham College, Willerby Grove, Peterlee SR8 2RR.7pm. £8. 07425 145549.
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Paul Skerritt Band - The Pennyweight, Bakehouse Hill, Darlington DL1 5QA. 9pm. Free. 01325 468411.
Jazz Workshop w. Matt Roberts - Art Gallery, Crown St., Darlington DL1 1ND. 6pm. £5. Registration required. Part of Darlington Jazz Festival.
Richie Emmerson Quartet w Richie (tenor); Ted Pearce (keys); Alan Smith (bass) + drums tba - Dorman's, Oxford Rd., Middlesbrough. 9pm. Free.
New Orleans Preservation Jazz Band - The Oxbridge, Oxbridge Lane, Stockton on Tees. 8:30pm.
Pocket Jazz Orchestra + Noel Dennis (trumpet) - The Ship, Church Lane, Redmarshall, Stockton TS21 1EP. Free. 8pm.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, March 21, 2017

Triggerlawross @ The Globe March 18

Alan Law (keys); Katy Trigger (bass guitar); Matt Ross (drums)
(Review by Ann Alex)
Yes, as suggested by the name, a monstrous new band has entered the local jazz scene: Alan Law playing as you’ve never heard him before, Katy Trigger giving the bass an equal status from her place at the right-hand side of stage front, and Mr. Ross giving it all on the drum kit. Eight or so long pieces, all original tunes, sounding as if most of the work had developed from improvisation, sometimes flowing lyrical keys, sometimes strong chords from the low end of the piano, then insistent, repeated riffs, often exchanged between piano and bass. An adventurous bass, lyrical, and then interestingly jangly and breathy by turns. And the drummer doing what drummers do, but more so.
Each tune was introduced by Alan, although I couldn’t fully hear what he said from the back of the jazz bar. The first piece was typical, an account of a night out Alan said, beginning with a slow sultry swing, then faster as they left a pub and started to walk, leading into heavy bass and piano, probably a rainstorm. There followed a bass solo with crisp sounds, drums, a bell-like piano, rounded off with repeated riffs. A tune called It’s Love opened with steady drum and bass beats (is this drum’n bass?) to an overlay of keys, which was accidently augmented by loud shouts of singing from the band playing in the downstairs bar. There followed a ballad which deserves to have words set to it, and which Alan said had been influenced by Jarrett’s I Fall In Love Too Easily. Forgive Me (?) had the bass and piano passing a line of the tune between them, then improvising on the line. The next number quoted from My Favourite Things which seems to be popular with jazz musicians these days. The last tune was called Valhalla, a title with Wagnerian connections which wasn’t too far from the mood of the gig. The metro called me home before I could hear much of the well-deserved encore.
The music is quite hard to describe, forget jazz standards with solos all round, think more improvisational influenced, but to really appreciate the band, go to hear them for yourself.
Ann Alex

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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