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Bebop Spoken There

Kathyrn Williams: “I got into Miles Davis when I was a teenager. But I’m nowhere near as knowledgeable as Anthony [Kerr]: he is an encyclopedia of jazz, with a real in-depth, academic knowledge. I’m just a fan.” – (Jazz Journal December 2017).

Christian McBride: "He [Horace Silver] was the whole package" – (Downbeat September 2014).

Today Friday January 19

Afternoon

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Emma Fisk & James Birkett - Bishop Auckland Town Hall, Market Place, Bishop Auckland Town Hall DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00. Venuti/Lang.

Evening

Graeme Wilson Quartet - Jazz Café, Newcastle NE1 5DW. 9:00pm. £8.00. (£6.00. advance).

Incognito - Hoochie Coochie, 54 Pilgrim St., Newcastle NE1 6SF. 7pm (doors). £50.

Memphis Crusaders - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

Boys of Brass - Brandling Villa, Haddricks Mill Road, South Gosforth, Newcastle NE3 1QL. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, March 25, 2017

CD Review: Partikel - Counteraction.

(Review by Steve H).
Partikel began life as a sax, bass and drums acoustic trio. However, they continually evolve their line up with different combinations of musicians. For this album, they have added guitar, cello, violin, flute, baritone sax and electronics and they all contribute to a marvellous canvas of contemporary, free-spirited jazz.
A quiet intro into Land and Sea leads to a very melodious up-tempo piece with Duncan Eagles on tenor the central figure. Scenes and Sounds continues at a fine old pace with Anna Cooper’s flute having an almost Tullish effect as in Jethro. Ant Law then produces a fine solo before Eagles sees the piece calmly out. 
Lanterns is another strident piece with Eric Ford on drums giving it a fine bish bosh and bassist Max Luthert keeping a fine ensemble piece going.

The title track, and my own personal favourite, Counteraction features violinist Benet McLean to stunning effect conjuring up a vast range of hypnotic sounds, meanwhile, Eagles, as usual, augments proceedings with considerable aplomb. Moving Fields has a raucous start before prominent electronics cut in. Ant Law then contributes an extended solo before Eagles and the rest of the band play us out. 
The Blood of the Pharaoh has an almost classical cello introduction by Matthew Sharp. This haunting melody reappears throughout the piece as does some great percussive effects including a ‘clanger’ style whistle. Finally the piece ‘clip clops’ to a gentle conclusion. Bolden Days has a jolly start with violin and baritone playing off each other; the rest of the ensemble then pitch in a very cheerful manner to complete this fine album.
Steve H.

Duncan Eagles: soprano saxophone, tenor saxophone; Max Luthert: double bass; Eric Ford: drums; Ant Law: guitar (all tracks except 4); Benet McLean: violin (1,3,4,5,8); Anna Cooper: flute, baritone saxophone (1,2,8); Sisi Lu: electronics.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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