April
Tue 16: The Horne Section’s Hit Show @ Middlesbrough Town Hall. 7:30pm.
Tue 16: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Bradley Johnston, Paul Grainger, Bailey Rudd.
Wed 17: Bailey Rudd (Minor Recital) @ The Music Studios, Haymarket Lane, Newcastle University. 11:40am. Bailey Rudd (drums). Open to the public.
Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 17: The Horne Section’s Hit Show @ The Gala, Durham. 7:30pm. SOLD OUT!
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Thu 18: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 18: NONUNONU @ Elder Beer Café, Chillingham Road, Newcastle. 7:30pm.
Thu 18: Knats @ Hoochie Coochie, Newcastle. 8:00pm (doors 7:30pm). £8.00. + bf. Support act TBC.
Thu 18: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band night with Just Friends: Ian Bosworth (guitar); Donna Hewitt (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).
Fri 19: Cia Tomasso @ The Lit & Phil, Newcastle. 1:00pm. ‘Cia Tomasso sings Billie Holiday’. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Tweed River Jazz Band @ The Radio Rooms, Berwick. 7:00pm (doors). £5.00.
Fri 19: Lindsay Hannon: Tom Waits for No Man @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.
Fri 19: Levitation Orchestra + Nauta @ Cluny 2, Newcastle. 7:30pm (doors). £11.00.
Fri 19: Strictly Smokin’ Big Band @ The Witham, Barnard Castle. 8:00pm. ‘Ella & Ellington’.
Sat 20: Record Store Day…at a store near you!
Sat 20: Bright Street Band @ Washington Arts Centre. 6:30pm. Swing dance taster session (6:30pm) followed by Bright Street Big Band (7:30pm). £12.00.
Sat 20: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. Acoustic blues.
Sat 20: Rendezvous Jazz @ St Andrew’s Church, Monkseaton. 7:30pm. £10.00. (inc. a drink on arrival).
Sun 21: Jamie Toms Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 21: Lindsay Hannon: Tom Waits for No Man @ Holy Grale, Durham. 5:00pm.
Sun 21: The Jazz Defenders @ Cluny 2. Doors 6:00pm. £15.00.
Sun 21: Edgar Rubenis @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. Blues & ragtime guitar.
Sun 21: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 21: Art Themen with the Dean Stockdale Trio @ The Globe, Newcastle. 8:00pm. £10.00. +bf. JNE. SOLD OUT!
Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
6 comments :
Just read this in the middle of the night and immediately switched to news channels but nothing. In America this is massive, like Elvis, a Beatle or MJ.
Said to people at Xmas to expect this one this year. I think most people thought he died years ago.
Although I think the whole Rock and Roll narrative is pure myth - at it's best blues for teenyboppers - Chuck Berry would have been the king of rock and roll in a less racist America and was the best, alongside even more novelty oriented Little Richard, crooner Elvis, bluesier Bo Diddley and the doowop groups.
Although he essentially made the same record over and over, his riffs launched a thousand inferior white groups who made rock and roll for teenyboppers and made a fortune doing it.
He was arguably the most influential guitarist right up until the break through of Hendrix.
Steve, Radio 5 Live broke the news late Saturday. Dotun Adebayo devoted much of his Up All Night programme to the news (Dotun is a big music fan).
Your comments about Berry being the king of rock 'n' roll are spot on. The alternative narrative (Presley etc) is just that,the American media's preferred alternative.
The guitar riffs are legendary (launching a thousand pub bands), Berry's lyrics are second to none.
Sorry Russell, have to disagree - surely not - Curtis Mayfields lyrics were second to none, and I had to read about his death in a newspaper. What colour was he again?
Sorry Steve...too cryptic for me!
I left the North East in early ’79 on the Dick Whittington trail (but without the cat!) to put on the First big jazz festival at Alexander Palace in July of that year.- you know the one that didn’t burn down.. This was the start of my partnership with George Wein another nonagenarian jazzer.
There was Hamp, BB King, Muddy Waters, Dizzy, Buddy Rich - In fact arrest the usual suspects. Included was the great musician, lyricist and especially showman Chuck Berry.
He was appearing amidst tax issues with the US government wherein much of his earnings were sequestered to pay back taxes. Those part which weren’t, but I am sure he would consequently declare, were to be paid in $100 bills in an envelope before the “artiste performed on stage”.
I recall handing the envelope to him which he duly opened, counted and put in a voluminous inside pocket, looked at me with those piercing eyes nodded and said “That’s good man.”
10 minutes later he was onstage with a scratch band that we’d put together and blew everyone away.
Jazz it wasn’t - but performance, energy and crowd engagement and reaction showed he had no peers.
Hey 90’s a good innings.
Andy
Bit of cross reference with what's going on at the Sage I suppose. White people always come along and do Black Music better. How many times today will we hear that without Chuck Berry there'd have been no Beatles, no Stones, no Beach Boys, like that was his contribution.
And somebody like Curtis Mayfield who transcends soul music and twentieth century music generally and should stand with the all time greats doesn't even make it on to the news.
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