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Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

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Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

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Today Monday June 18

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, February 21, 2017

CD Review: Jeff Richman - Sizzle.

(Review by Steve T).
Another fine, basic, fusion album by a guitarist and I've given up second-guessing which of them will sell, largely because I don't get how the whole download culture works.
This is his seventeenth solo album and the follow-up to the critically acclaimed Hotwire from 2015. He's also recorded for TV and film and is in demand as a session musician.
To say his CV is impressive is a bit like saying the Pacific Ocean is wet. He studied privately with Pat Metheny, he's a graduate of Berkley, of a similar vintage to Stern, Frisell and DeMiola, and has played with a veritable who's who, including Ray Barretto, Flora Purim, Airto Moreira, Chico Hamilton, Deodato, Blood Sweat and Tears, Gerry Mulligan, Ronnie Laws, Ernie Watts, Harvey Mason, John Klemmer, Meshell Ndegeocello, Billy Cobham and the Yellowjackets. 
It's funky, a bit rocky at times, the playing is remarkable, particularly from the leader, but also by the guests bringing variety just ahead of it becoming samey. So we get a fine piano solo on Samaya, great flugel on Oracle and excellent tenor on Sweet and Hit Parade, which I doubt it will get anywhere near.
Comparisons with seventies fusion are inevitable and he plays mostly  solid body guitars - a Strat and a Tele - and comparisons could include Steve Khan, Eric Gale, Bill Connors, who preceded Al DeMiola in the Jazz-rock version of Return to Forever, and Carlos Santana, whose influence by and on Jazz has yet to be fully recognised.
There are more fusion credentials in the shape of a bass guitar solo during Jimmy Palm.
Just for You features the leader on a more classic Jazz guitar sound (which the premier player of the era - George Benson - stuck with throughout the seventies), presumably either his Gibson 335 or his Jim Hall, both of which feature during the album.
The period is also evoked by the inclusion of a Fender Rhodes on this track which seems to be emerging as a classic instrument along the lines of the Hammond B3 organ.
The album's been out a while and is recommended to guitar enthusiasts and fusionistas.
Steve T.
Jeff Richman (guitars); George Whitty (keyboards); Jimmy Haslip (bass);Vinnie Colaiuta (drums) + Jeff Beal (trumpet, flugel); Bob Mintzer (tenor sax); Taylor Eigsti (keyboards); Mitchel Forman (Fender Rhodes); Will Lee (bass); Gergo Borlai (drums). 

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Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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