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Bebop Spoken There

Randy Brecker: "It's still a thrill for me today to stand out front of a big band as the soloist and hear all that sound going on behind you. It brings the best out of me" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Tuesday May 21

Afternoon

Jazz

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm. Free.

Evening

Kamasi Washington - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4461. 7:30pm. £30.00.

River City Jazzmen w. Maureen Hall - Block & Tackle, Blackthorn Way, Ashington NE63 8NN. Tel: 01670 813983. 8:00pm. £5 (raffle inc.) Bob Wade, Gordon Solomon, Keith Stephen, Phil Rutherford, Tommy Graham.

Lindsay Hannon Band - Fox Inn, West End Terrace, Hexham NE46 3DB.Tel: 01434 603681. 8:30pm. Free (donations).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, February 18, 2017

CD Review: Beata Pater - Fire Dance

Beata Pater (vocals, producer); Alex Danson (composer); Sam Newsome (sop sax); Anton Schwartz (ten sax); Aaron Lington (bar sax); Scott Collard (keys); Aaron German (bass); Alan Hall (drums); Brian Rice (perc).
(Review by Ann Alex)
I was prepared to be disappointed by this music which was described as wordless vocals, ‘pushing the envelope of vocal artistry’.  There was also a very wordy enclosure describing the music, which is sometimes a bad sign, but the music turned out to be absolutely delightful. Ms Pater and Alex Danson the composer have come up with fully integrated, interesting, tuneful, well thought out music, much of it influenced by eastern folk elements, but still suitable to be called jazz, perhaps world jazz would be an appropriate term. Listeners shouldn’t be put off by the track titles; Curse Of The Locusts; Daylight Saving; Sand Dunes; Harvest Season; Fire Dance; The Princess; Round Dance; Flashback; The Quest; Reaping Spell; Ritual. There is a loose narrative feel to the whole work.
The voice is one of the instruments of the band, often in the lead, and enhanced by multi-tracking, so the vocals are not scat at all, but are a well-integrated part of the whole. There is a rhythmic thrust which is influenced by North African and Eastern European music.  Curse of the Locusts opens with jungle-like drums, then a staccato vocal, a jazz tune moving along well, then the saxes enter, sounding a bit like insects, and the track ends with a kind of resolution with pleasing overdubbed voices. Harvest Season has a peasant dance rhythm, full of joy; The Princess is a drifting, dreamy piece, lots of keys soloing, followed by a very free falling soprano sax. Flashback gives us a drone, eastern sounding vocals, shakers on the percussion, rounded off with jazzy keys. Reaping Spell has constant repetition, like the spell, and Ritual is layered, punchy and vocal driven. The instrumentalists are all well up to the mark.
This is Ms Pater’s fifth album – her previous work has been mostly re-imagined jazz standards, and after hearing this album, I’d guess that the previous CDs are well worth the listening.
Fire Dance is available on Amazon, iTunes and CD Baby from February 28.
Also on B&B Records, Cat no. BB0421  See www.beatapater.com    
Ann Alex

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