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Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

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Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

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Today Sunday June 17

Afternoon

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1pm. Free.

Get in the Band rehearsal - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4666. 10:00am-6:00pm. First of two rehearsals under the direction of Chris Sharkey (second rehearsal Thurs 21 June, 6:00-10.00.pm) culminating in three performances in a day on Sat 23 June - 1) Great North Museum (Hancock Museum), 2) Central Station, 3) Sage Gateshead. Times TBC. Free but ticketed.

Big Gig in the Park: Durham Music Service Ensembles - South Park, Parkside, Darlington DL1 5TG. 12 noon.

Alice Grace & Ben Helm - Bonbar, Fenkle Street, Newcastle NE1 5XU. 1:30pm. Diners’ gig.

Somethin’ Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 5:00pm. Tel: 01325 788564. Matt Case (saxophone) & Mike Hepple (guitar).

Sour Mash Trio - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Mark Williams & Joel Byrne-McCullough - Black Bull, Bridge Street, Blaydon NE21 4JJ. 8:00pm. £5.00.

Jazz Jam - Head of Steam, Reform Place, Durham DH1 4RZ. 7:30pm. Free. Durham University Jazz Society. Last one before the Summer recess.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, February 11, 2017

Billie Meets Kurt @ The Globe Jazz Bar - February 9

Gabi Heller (vocals, percussion); Steve Glendinning (guitar)
(Review by Ann Alex/photos courtesy of Kaveh Enami).
A drink was spilt over my notes and then my birthday intervened to prevent this review being done as quickly as it should, but no matter, this Jazz Coop presentation may well qualify as my Gig of the Year, yes, it was just sooo good. Gabi had done loads of research for this. You’ve heard of illustrated lectures, well this was an illustrated gig. Gabi presented the thesis that Billie Holiday and Kurt Weill could possibly have met sometime during 1934-1950 in New York, maybe at the Cafe Society, which was the first integrated club. Just imagine, Weill, a middle class, Jewish immigrant, a socialist, twice married to his singer Lotte Lenya, and Billie, black, born to a teenage mother, raised in care, with addiction problems, and both of them immensely talented.

 Anyway, their various songs were presented to us with great understanding and feeling, and Gabi managed to make Billie’s songs her own, no mean feat. And Steve’s playing was so good that it defies description, heartfelt, skilled, always matching Gabi’s interpretations. Good Morning Heartache, a spirited version rather than being utterly depressed, which maybe portrayed Billie’s addiction issues; I’m A Stranger Here Myself  (immigration and stranger to love); a song called, I think, Crazy In Love; Weill’s song Here I Stay, with scatting as it should be, keeping close to the guitar chords. Lover Man followed, and Tell Me More and Then Some, with shaking percussion and a long effective solo from Steve. The first set was rounded off with a clever medley of songs about boats and boat travelling immigrants.
The second set opened with travel songs, I’m Travellin’ Light and Weill’s Show Me The Way To The Next Whisky Bar (great fun), then a heartfelt Don’t Explain; All Of Me; and a beautiful slow, sad, September Song. Strange Fruit, the song I liked best, had edgy chords on a small zither and on the guitar, ending with Steve playing a single chord with fingers up and down the guitar. (Sorry about the lack of technical explanation). Weill’s Speak Low was followed by a well-earned encore of God Bless the Child, which Gabi somehow made her own.
I’d looked forward to this gig and I certainly wasn’t disappointed.
Ann Alex 

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
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Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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