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Bebop Spoken There

Howard Riley: “When I started out playing jazz back in the late 50s, early 60s, if you wanted a gig you had to learn some standards.” – (Jazz Journal April 2017)

Eric Harland: “I love swing and I’m always going to swing but I also know that you can take a hip-hop groove and improvise with that just like you would with a swing pattern.” – (Jazz Journal April 2017)

Today Thursday April 27

Afternoon
Vieux Carré Jazzmen - The Holystone, Whitley Rd., Holystone, Newcastle (ish) NE27 0DA. 1pm. Free.
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Evening.
Maine St. Jazzmen - Potters Wheel, Sunniside, Gateshead NE16 5EE. 8:30pm. 0191 4888068
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Dave Weisser & Alan Law - The Globe, 11 Railway St., Newcastle NE4 7AD. 8pm. £5. (Students free).
BABMUS Presents - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8pm. £3 (£2 students).
Strictly Smokin' Big Band - The Millstone, Haddrick's Mill Rd., South Gosforth, Newcastle NE3 3DB. Free. 7pm. Open rehearsal.
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Emma Fisk's Hot Club du Nord - Lubetkin Theatre, East Durham College, Willerby Grove, Peterlee SR8 2RR.7pm. £8. 07425 145549.
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Paul Skerritt Band - The Pennyweight, Bakehouse Hill, Darlington DL1 5QA. 9pm. Free. 01325 468411.
Jazz Workshop w. Matt Roberts - Art Gallery, Crown St., Darlington DL1 1ND. 6pm. £5. Registration required. Part of Darlington Jazz Festival.
Richie Emmerson Quartet w Richie (tenor); Ted Pearce (keys); Alan Smith (bass) + drums tba - Dorman's, Oxford Rd., Middlesbrough. 9pm. Free.
New Orleans Preservation Jazz Band - The Oxbridge, Oxbridge Lane, Stockton on Tees. 8:30pm.
Pocket Jazz Orchestra + Noel Dennis (trumpet) - The Ship, Church Lane, Redmarshall, Stockton TS21 1EP. Free. 8pm.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, January 17, 2017

CD Review: John Abercrombie Quartet – Up and Coming

(Review by Hugh C)
John Abercrombie – guitar; Marc Copland – piano; Drew Gress – double bass; Joey  Baron – drums.
Up and Coming is the second album by the quartet.  Abercrombie, Gress and Baron have had a long association, Marc Copland joined the three for their first quartet recording in 2013. 
The first four tracks Joy – Flipside – Sunday School – Up and Coming are all by Abercrombie.  The album as a whole has a laid-back, free-flowing groove engendered by Abercrombie's relaxed guitar style.  By his own admission “I play less fast than I used to, less 'technical'”.  His partners respond to this with a gentle exploration of the quieter aspects of their respective instruments.  

Marc Copland contributed the next two tracks, Tears and Silver Circle which, according to Abercrombie “reflect his [Copland's] more classically oriented,  polychordal compositional style”.  A take on the Miles Davis composition Nardis follows, done in the spirit of Bill Evans.  Another Abercrombie composition, Jumbles, completes the set.
Up and Coming, recorded at Avatar Studios, New York is released in the UK both as CD and (for Steve T) vinyl.  The quartet will be touring the US and mainland Europe over the next few months, but have no dates in the UK.
Hugh C.

Released on ECM:  CD 6025 5723377 3; LP 6025 5726238 4

1 comment :

  1. Yea I wish ECM would stop; I wish they' all stop, it'll prove so harmful in the long (medium) run.

    Number 1 son got a master-class from him before Christmas and I believe he has something which prohibits him playing like he used to.
    Didn't do Django any harm.

    ReplyDelete

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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