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Bebop Spoken There

Buddy Guy: "My mother said, 'You got flowers for me, give 'em to me now, because I'm not going to smell them when you put 'em on the casket'." - (DownBeat September 2018).

Marty Ashby: "I asked him what his gig was and he said 'I put the scores on the music stands'. I said, 'That's a gig?' And I realised there were four floors of guys like him, who supported some of the finest musicians in the world. But I was a jazz musician, and I was used to playing with some of the finest musicians in the world in front of the New York Public Library for tips. That's when I realised that jazz didn't have the same support system as classical music. - (DownBeat September 2018).

Today Tuesday August 14

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, January 25, 2017

CD Review: Henry Spencer and Juncture – The Reasons Don’t Change

(Review by Russell)
Henry Spencer and Juncture met as students at the Guildhall School of Music. Trumpeter Spencer plays with precision and passion – a winning combination. Bold, uninhibited, the opening track, one of ten – Introduction / Hindsight Can Wait – bristles with an energy one associates with the concert hall platform, Spencer, with steely nerve projecting to the upper circle and beyond.
Publicity material suggests a collective interest in jazz, rock and minimalism. Add a bravura attitude reminiscent of Chick Corea’s Return to Forever period and you begin to hear a fearless improviser at work in Henry Spencer’s trumpet playing. Juncture can, and do, take it down, Never Draw a Line being one such example – the resonant tones of double bassist Andrew Robb, pianist (and Fender Rhodes, Wurlitzer and mellotron!) Matt Robinson’s thoughtful contribution and the impressive guitar playing of Nick Costley-White embracing the jazz chord and a jazz-rock fusion vocabulary.   
Drummer David Ingamells sparkles throughout, not least on Still Open to Confusion, a powerful five minutes and eighteen seconds of group interplay. Spencer’s quintet is augmented on four tracks by the Guastalla Quartet adding subtle textures to Spencer’s compositions.
The Reasons Don’t Change is an impressive debut. One imagines the in-concert performance will be something special. Recommended.               
Henry Spencer and Juncture have an album launch night at the Pizza Express Jazz Club, Soho, London on February 7th. The Reasons Don’t Change will be released by Whirlwind Recordings (WR4698). Tour dates follow with several gigs in the south-west. For up to date details visit Henry Spencer’s website: www.henryspencermusic.com   
Russell.
Album trailer.
Henry Spencer (trumpet & flugelhorn), Nick Costley-White (guitar), Matt Robinson (piano, Fender Rhodes, Wurlitzer & melotron), Andrew Robb (double bass) & David Ingamells (drums) + The Guastalla Quartet: John Garner (violin), Marie Shreer (violin), Agata Darashkaite (viola) & Sergio Serra (cello)   

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance