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Bebop Spoken There

Peter Vacher: “The Hopbine [public house] is a Tesco Express now, having been reinvented successively as Desi Dons, Bootsy Brogans, the Dog and Duck and, before that, the Chequered Flag.” – (Jazzwise October 2017)

Kyle Eastwood: “Naturally I listened to pop music when I was a kid – I’d spend two hours a day hearing it on the school bus! – but the very first music I heard in the house and the first concerts I went to were jazz.” – (Jazzwise October 2017)

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Today Tuesday October 24

Afternoon
Vieux Carré Jazzmen - Black Bull, 98 Front St., East Boldon NE36 0SG. 1pm. Free. 0191 5365127. 6th of 6 consecutive gigs. 2 mins from East Boldon metro.
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Evening
Charles Gordon (solo piano) - Redwood Bar, Vermont Hotel, Newcastle. 10pm - midnight. Free.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, January 25, 2017

CD Review: Henry Spencer and Juncture – The Reasons Don’t Change

(Review by Russell)
Henry Spencer and Juncture met as students at the Guildhall School of Music. Trumpeter Spencer plays with precision and passion – a winning combination. Bold, uninhibited, the opening track, one of ten – Introduction / Hindsight Can Wait – bristles with an energy one associates with the concert hall platform, Spencer, with steely nerve projecting to the upper circle and beyond.
Publicity material suggests a collective interest in jazz, rock and minimalism. Add a bravura attitude reminiscent of Chick Corea’s Return to Forever period and you begin to hear a fearless improviser at work in Henry Spencer’s trumpet playing. Juncture can, and do, take it down, Never Draw a Line being one such example – the resonant tones of double bassist Andrew Robb, pianist (and Fender Rhodes, Wurlitzer and mellotron!) Matt Robinson’s thoughtful contribution and the impressive guitar playing of Nick Costley-White embracing the jazz chord and a jazz-rock fusion vocabulary.   
Drummer David Ingamells sparkles throughout, not least on Still Open to Confusion, a powerful five minutes and eighteen seconds of group interplay. Spencer’s quintet is augmented on four tracks by the Guastalla Quartet adding subtle textures to Spencer’s compositions.
The Reasons Don’t Change is an impressive debut. One imagines the in-concert performance will be something special. Recommended.               
Henry Spencer and Juncture have an album launch night at the Pizza Express Jazz Club, Soho, London on February 7th. The Reasons Don’t Change will be released by Whirlwind Recordings (WR4698). Tour dates follow with several gigs in the south-west. For up to date details visit Henry Spencer’s website: www.henryspencermusic.com   
Russell.
Album trailer.
Henry Spencer (trumpet & flugelhorn), Nick Costley-White (guitar), Matt Robinson (piano, Fender Rhodes, Wurlitzer & melotron), Andrew Robb (double bass) & David Ingamells (drums) + The Guastalla Quartet: John Garner (violin), Marie Shreer (violin), Agata Darashkaite (viola) & Sergio Serra (cello)   

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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